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[Song Title; After The Last Slow Dance] [Genre: Smoky Disco-Jazz / Soulful / Cinematic] [Verse 1] The lights are low, the band plays soft and slow [Very intimate, breathy entry; low register; minimal vibrato; brushed drums + soft Rhodes only] Your hand finds mine where the shadows go [Legato phrasing; gentle rasp; slight pause after “mine”; walking bass enters subtly] A glass half-drunk, a cigarette ash falls [Half-spoken delivery; smoky tone; muted trumpet answers quietly at phrase end] The room is small but it takes up all my thoughts [Slow build; add light vibrato on “thoughts”; strings barely swell underneath] [Pre-Chorus] Ooh, the silence hums between our sighs [Airy, falsetto-like “Ooh”; pull back the beat; intimate whisper-to-tone transition] Questions float like last night’s lullabies [Warm legato phrasing; Rhodes chords widen; congas enter softly] If one step pulls us closer to the chance [Increase intensity slightly; controlled rasp; rhythmic guitar ghost strums appear] Will we keep it, babe — or will we let it pass? [Hold “pass” with gentle vibrato; brief instrumental breath before chorus] [Chorus] After the last slow dance [Confident but restrained belt; center pitch; full groove locks in] When the lights fade low [Open vowel on “low”; breathy release; strings bloom softly] Do we walk away in silence [Pull dynamics down; emotional restraint; male echo whispers “silence”] Or let the feeling grow? [Gentle lift; add rasp; trumpet punctuates end of line] After the last slow dance [Slightly stronger belt than first line; wider stereo backing vocals] When the record spins so slow [Laid-back phrasing; sit slightly behind the beat] Hold me like it matters [Emotional crack encouraged; reduced instrumentation for intimacy] Before the morning goes [Long sustain on “goes”; vibrato bloom; strings rise then resolve] [Verse 2] Your jacket’s draped on the back of my chair [Soft conversational tone; playful warmth; Rhodes + bass only] Neon on your face and a dare in your stare [Lean into consonants; subtle growl on “dare”; muted trumpet replies] We talked in circles and we touched in lines [Smooth legato; walking bass more active] We traded secret maps and borrowed time [Emotional lift; gentle vibrato on “time”; brushed drums fuller] [Pre-Chorus] Ooh, the cigarette smoke writes your name [Breathy, sultry “Ooh”; almost whispered; minimal backing] A little flame we never had to tame [Controlled rasp; dynamic swell; guitar accents] There’s a quiet pact in the way you glance [Measured phrasing; tension build; strings creep in] Tell me is this happenstance — or chance? [Sustain “chance”; short instrumental pause before chorus] [Chorus] After the last slow dance [Stronger belt than first chorus; confident presence] When the lights fade low [Open tone; breath release; male echo subtly doubles] Do we walk away in silence [Drop dynamics briefly; intimate phrasing] Or let the feeling grow? [Crescendo into last word; trumpet stab answers] After the last slow dance [Full voice; warm rasp] When the record spins so slow [Behind-the-beat phrasing; relaxed groove] Hold me like it matters [Emotionally exposed delivery; slight vocal break allowed] Before the morning goes [Extended vibrato; strings swell, then pull back] [Bridge (Confessional)] I don’t ask for forever — not tonight [Almost spoken; very close-mic; drop drums entirely] Just a moment where the world gets light [Soft melodic rise; breath between phrases] If this is all we give, then let it be true [Gradual build; controlled rasp; Rhodes arpeggio underneath] One soft choice between me and you [Hold “you”; emotional vibrato; strings begin to rise] [Vocal Break] (Ah — ahhh) [Wordless humming; smoky tone; muted trumpet mirrors melody] [Final Chorus] After the last slow dance [Full belt; widest stereo; emotional authority] When the lights fade low [Power with control; breathy tail] Do we walk away in silence [Pull back briefly for contrast] Or let the feeling grow? [Strong lift; sustained note; brass + strings accent] After the last slow dance [Maximum emotional delivery] Let the warmth not go [Hold “go”; vocal grit encouraged] Take my hand — don’t tell me no [Direct, pleading tone; rhythmic emphasis] Before the morning shows [Long sustained finish; vibrato; band swells] [Outro] Keep me in the doorway, keep me in the light [Gentle release; softer dynamics] Hold me till the taxi takes us into the night [Legato phrasing; cinematic strings] If it’s only for a moment, make it deep and slow [Breathy intimacy; slight ritard] After the last slow dance — don’t let me go [Final elongated note; raspy, emotional; instruments fade slowly]