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The Polonaise-Fantaisie in A flat major Op. 61 was Chopin’s last extended work, written in 1846, three years before his death. By both its title and structure, it is in a class of its own. It is an exploratory, original work which, judging from the manuscript, caused Chopin some difficulty before he arrived at a satisfactory version. Although the distinctive rhythm of the polonaise is present in the opening theme, elsewhere it is often absent altogether, the ‘fantasy’ part of the title implying a feeling of rhapsodic improvisation. Through thematic recall and his innate sense of form, pacing and proportion, Chopin manages to achieve a remarkably cohesive whole. The work brushes against a great variety of keys, moods and motifs, and leads into a grandiose closing apotheosis as if at the end of a long journey.