У нас вы можете посмотреть бесплатно 61-03 Francis Bacon или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
My lecture notes https://www.shafe.co.uk/wp-content/up... A podcast produced by Google NotebookLM https://www.shafe.co.uk/wp-content/up... Francis Bacon: A Life in Paint This talk explores the life and work of the Irish-born British painter, Francis Bacon (1909-1992), known for his bold, emotionally charged imagery and his unique approach to figurative painting. Early Life and Artistic Beginnings: Bacon's childhood was tumultuous, marked by conflict with his father over his homosexuality. This led him to London at the young age of 16. He worked sporadically as an interior decorator and designer before committing to painting in his mid-30s. Breakthrough and Artistic Style: Bacon's artistic breakthrough arrived in 1944 with his triptych, "Three Studies for Figures at the Base of a Crucifixion." This shocking and visceral work, reflecting the horrors of World War II, established him as a major force in post-war British art. As art critic John Russell observed: "there was painting in England before the Three Studies, and painting after them, and no one...can confuse the two." Bacon's work is characterized by: Distortion and Fragmentation: He distorted recognizable forms to intensify their emotional impact, believing “My painting is not an illustration of reality, but rather a dismantling and reconstruction of it." Visceral Imagery: His work often depicts the rawness of the human body, reflecting his belief that "We are meat, we are potential carcasses." Influence of Photography and Film: Bacon drew inspiration from photographers like Eadweard Muybridge and film stills, incorporating movement and sequential imagery into his paintings. Recurring Motifs: Cages, distorted faces, and the act of screaming frequently appear in his work, expressing themes of isolation, existential anxiety, and the human condition. Triptychs: Bacon frequently used this format to create narratives and explore different facets of a subject. Key Themes and Subjects: The Human Condition: Bacon's work grapples with themes of mortality, suffering, isolation, and the search for meaning in an absurd world, aligning with existentialist philosophy. Crucifixion: Although not religious, Bacon was drawn to the crucifixion as a potent symbol of human suffering and explored it throughout his career. Portraiture: Bacon’s portraits of friends and lovers, such as Lucian Freud and George Dyer, are not traditional likenesses but rather intense psychological studies, conveying their inner turmoil and the complexities of their relationships. Self-Portraiture: Bacon frequently turned the brush on himself, using self-portraits as a means of confronting his own mortality and grappling with his inner life. Legacy and Influence: Francis Bacon's work continues to captivate and provoke audiences worldwide. His distinctive style and unflinching exploration of the human condition have influenced generations of artists, writers, filmmakers, and musicians. As Sir Nicholas Serota, former director of the Tate Gallery, noted, Bacon was "not only the greatest British painter of his generation, he was also internationally recognised as one of the outstanding artists of the post-war era." Key Paintings Discussed: Three Studies for Figures at the Base of a Crucifixion (1944) Figure in a Landscape (1945) Painting (1946) Head I (1948) Study after Velázquez's Portrait of Pope Innocent X (1953) Two Figures (1953) Study for a Portrait of Van Gogh I (1956) Three Studies for a Crucifixion (1962) Portrait of Isabel Rawsthorne (1966) Three Studies for a Portrait of Lucian Freud (1964) Three Studies of Lucian Freud (1969) Portrait of George Dyer Talking (1966) Triptych May-June 1973 (1973) Triptych (1974-77) Three Studies for a Portrait of John Edwards (1984) Three Studies for Self-Portrait (1979) Study of a Bull (1991) Untitled (Self-Portrait) (1991-92) This briefing document has highlighted the key themes and most important ideas relating to Francis Bacon's life and artistic career. His lasting impact on the art world is undeniable, and his works continue to challenge and inspire audiences today. #art #arthistory #francisbacon #history #free