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Lassus-O la o che bon echo

"The Echo Song" by Orlando di Lasso Double choir singing has its roots in four key practices. First is the Franco-Flemish double-choir canons of the early Renaissance. Second is the setting of two voices paired like a duet against another set of paired voices (SA/TB, SB/AT, ST/AB) particularly in the polyphony of Josquin de Pres, which became the norm in the music of next-generation composers such as Willaert, di Lasso, Palestrina, and on through history. Third is liturgical double-choir Salmi spezzati, the practice of alternating verses or lines of Psalms, one line by a soloist or first choir and the next line by the choir or second choir. Third is the most popular belief that double choir singing came out of the music of St. Mark's Basilica in Venice with its two choir lofts, from which opposing forces would play or sing back and forth, but Venice antiphony culminated out of the preceding practices brought by Willaert, but more fully developed by Andrea and Giovanni Gabrieli. In "The Echo Song", O la o che bon echo, Orlando di Lasso brings double choir singing to an accessible level, accomplishable by most any choir with enough singers and ability to divide in two. This performance is from 1991 by Warsaw University Choir, found at http://www.chor.uw.edu.pl/-%20bak/tl_...