Poran Bnodhua Shone II 2nd Episode II Brotee Behala II Apala Basu Sen скачать в хорошем качестве

Poran Bnodhua Shone II 2nd Episode II Brotee Behala II Apala Basu Sen

During the pre-Chaitanya Era the literary masterpiece ‘Geetgovinda’ written in Sanskrit by the poet Joydev did set a new trend in literary works of Bengal through the creation of ‘Padabali’ literature. This legacy was continued by poets such as Vidyapati, Chandidas and later, during post-Chaitanya Era, pursued by Gnyandas and Govindadas. The inherent appeal of these compositions based on Vaishnava culture and the songs set to tune in ‘kirtananga’ style engulfed the entire Bengali community and swept one and all in its ambit. Young Rabindranath, when he was only in his mid-teens, got deeply engulfed in this form of poetry and this influence encouraged and urged him to script the ‘Bhanusingher Padabali’. Many years later, a matured Rabindranath admitted that while scripting the ‘Bhanusingher Padabali’ at that tender age, he was gravely attracted by the 'Brajabuli' language of ‘Padabali’ literature, its style and also the structure of the poetic verses rather than the inherent deep thoughts and inner philosophy latent within 'Padabali' literature. Later in his life, when he was much more enlightened and matured, he could grasp and comprehend the true essence of the Vaishnava culture. The imprint of this realisation is manifested through many of his poetries and innumerable songs. However, though Rabindranath inculcated the 'Padabali' style in many of his poetic endeavours, the gradual elevation of 'Radha bhav' as expressed through the various phases of the 'Padabali', got manifested in the writings of Rabindranath as a journey of the soul from lower to higher echelon of spiritual upliftment, towards complete fulfilment. Indeed, the entire philosophy of life of Rabindranath has been honed by the preachings of the Upanishadas, the simplicity of folk music and the 'madhur rasa' of Vaishnava literature – “jekhane ekti premer majhare miseche sokol premer smriti”. The various stages of love relationship between Radha and Krishna as Purbaraag, Anurag, Ovisar, Milon, Maan, Koloho, Mathur or Biraha, Bhab Sammilon have all been manifested through many of Rabindranath’s later works at a much mature age which clearly brings out his understanding of the poetic essence inherent in ‘Vaishnava Padabali’ expressed through his magical touch. It is pertinent to mention that Rabindranath’s poetic work ‘Bhanusingher Padabali’, scripted at a very tender age, is just the initiation / beginning of his ultimate realisation which he acquired with time and maturity. The present scripted programme titled "Poran Bnodhuyan Sone" includes performance of the different phases of 'Padabali' songs ('Kirtan') beginning with Purbarag, Anurag etc to the ultimate Biraha and Bhav Sammilon. The programme parallely also includes songs composed by Rabindranath, at a matured age, related to each stage of the 'Vaishnava Padabali' based on his deep understanding of the inherent message conveyed therein. Understandably, the songs composed by him for 'Bhanusingher Padabali' written at a very young age, do not figure in this selection. The 2nd Episode of this programme is placed herewith....