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Sheet music for piano or harpsichord with melodic analysis (see below for details). Polonaise in G Minor by Johann Sebastian Bach, BWV Anh. 125, from the Notebook for Anna Magdalena Bach. This piece is now generally attributed to Carl Philipp Emanuel Bach. Source: 'Notenbüchlein der Anna Magdalena Bach' (1725), manuscript preserved at the Berlin State Library. 00:00 Titles - Part 1 00:21 Part 1 Repeat 00:39 Part 2 01:15 Part 2 Repeat Urtext edition: • Bach: Polonaise in G Minor, BWV Anh. 125 (... Student edition with full fingering and written out ornaments: • Bach: Polonaise in G Minor, BWV Anh. 125 (... Melodic analysis: Key melodic figures, from short motifs to larger thematic units, are marked with a distinct color. A new color means a new melodic figure. The same color means a recurring melodic figure. Small gaps within a recurring melodic figure signify mutations, changes in the size or direction of the intervals. A saw-toothed edge means that the melodic figure has been truncated at the head, tail, or both. Melodic figures that are part of a sequence or imitative passage that does not appear elsewhere, are marked grey.