毕加索1932：爱、 名誉和悲情 Picasso 1932 – Love, Fame, Tragedy скачать в хорошем качестве

毕加索1932：爱、 名誉和悲情 Picasso 1932 – Love, Fame, Tragedy

在毕加索去世后的第45个年头，英国泰特现代美术馆于2018年3月8日-9月9日用半年的超长展期为大家呈现毕加索的专题展览《毕加索1932：爱、 名誉和悲情》。 毕加索的1932年被他的传记作者称为“奇蹟之年”，不仅是因为创作数量众多，还有他作品中不可思议的突变。泰特现代艺术馆通过100多件作品，向观众全面展示毕加索人生中关键的1932年，破除大众的迷思，细緻剖析他作为普通人和艺术家複杂又丰富的内心。 毕加索曾经形容自己的画是“另一种形式的日记”，因此，了解他的生活总是能帮助我们了解他的作品。在这一年裡，毕加索在家庭生活和与情人玛丽的热恋之间保持着微妙的平衡。玛丽带来源源不断的灵感，使他创作了包括《镜前少女》、《红色扶手椅中的女人》和《梦》等一系列传世名画。 In the 45th year after Picasso’s death, Tate Modern in Britain presented the Exhibition: Picasso 1932 – Love, Fame, Tragedy on the 8th of March to 18th to September 9th. 1932 was an extraordinary year for Picasso, even by his own standards. His paintings reached a new level of sensuality and he cemented his celebrity status as one of the most influential artists of the 20th century. Over the course of this year he created some of his best loved works, including Nude Woman in a Red Armchair, an anchor point of Tate’s collection, confident colour-saturated portraits and Surrealist experiments, including 13 seminal ink drawings of the Crucifixion. His virtuoso paintings also riffed on the voluptuous sculptures he had produced some months before at his new country estate. In his personal life, throughout 1932 Picasso kept a delicate balance between tending to his wife Olga Picasso (nee Khokhlova) and their 11-year-old son Paulo, and his passionate relationship with Marie-Thérèse Walter. The exhibition brings these complex artistic and personal dynamics to life with an unprecedented range of loans from collections around the world, including the Musée national Picasso-Paris and major international museums, as well as many works held in private hands. ~-~~-~~~-~~-~ Please watch: "為什麼看不懂當代藝術 Why Can't You Understand Contemporary Art?"    • 為什麼看不懂當代藝術 Why Can't You Understand C...   ~-~~-~~~-~~-~