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Episode 66: Perfect Offering

Perfect Offering (2015) Cassandra Miller (CA), composer Recorded live at St.George’s Grange Park September 27, 2024 Musicians of Continuum & Quatuor Bozzini Leslie Newman, flute Anthony Thompson, clarinet Jackie Leung, piano Alissa Cheung, violin Clemens Merkel, violin Stephanie Bozzini, viola Isabelle Bozzini, cello Programme Note: "I wrote the first drafts of music for this piece during a long period of convalescence, at a time when I felt pretty useless (ok, deeply useless). I discovered that even when I didn’t have the will to do much at all, I could lie in bed and push notes around (laptop sitting on my chest as we all do), in sweaty pyjamas. It was all a bit gross. This time overlapped with the early days of lockdown, depressing and very confusing. At that time, I had the quote in my head ‘ring the bells that still can ring, forget your perfect offering’ (Leonard Cohen), and the piece began to be about bells somehow—how they swing, and how they mark passing time. The piece is not at all about Leonard Cohen, but with this mantra-like quote in mind, the process of composing became a meditation on the imperfect perfection of this tiring body and all the uselessness of plans. After making a few drafts with my own ideas of what swinging bells might sound like (and the patterns they might make together), I realised I needed instead to understand more about bells in reality. I then worked closely with a recording of a peal of bells from a convent in France, from which the composition now derives all of its material. In particular, there was magic to be found in slowing the recording down, hearing and singing along to hidden melodies that emerged as bell-resonances combined like interleaving lines in renaissance polyphony." - Cassandra Miller www.continuummusic.ca ©2025 Continuum Contemporary Music (Toronto)