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Beethoven - The Famous Turkish March

ISTANBUL SYMPHONY by ISTANBUL PHILHARMONIC:    • İstanbul Senfonisi - Murat Malay   "The Turkish sound captured the imagination of the Viennese masters, who attempted to re-create it in their orchestral and theatrical works. Haydn wrote three military symphonies, Beethoven composed three orchestral works with Turkish percussion (including his monumental Symphony No. 9, which has a Turkish march in the last movement), and Mozart and Haydn, among others, used this military sound in their operas. The Janissary chorus [from Die Entführung] is all that can be desired, that is, short, lively, and written to please the Viennese. The influence was felt even in piano music—notably in Mozart's appealing Rondo alla turca from his Sonata in A major, which we will hear. So popular was this style that some nineteenth-century pianos featured a "Janissary pedal" to add percussive effects. (...) The fascination with Turkish music affected the makeup of the Western orchestra by establishing percussion instruments of Turkish origin (bass drum, cymbals, bells, triangle) as permanent members of the ensemble. It's hard to imagine an orchestra today without them! The Turkish Janissary ensemble also influenced the military band in the West; these same instruments now form the heart of every marching and concert band. Beethoven was fascinated by another Turkish musical tradition—this one a mystical religious ceremony to which he alluded in his incidental music for the stage work." [Kristine Forney & Joseph Machlis; The Enjoyment of Music, 10e Cultural Perspectives; East Meets West: Turkish Influences on the Viennese Classics] http://www.symphonyturk.com/?php=dombra