У нас вы можете посмотреть бесплатно CAGED system - why the confusion? или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
CAGED system explained. How to use the CAGED system for guitar. Find notes on the fret board. How NOT to use the CAGED system. Why the CAGED system is abused. From the Secret Guitar Teacher Site. Click to access a FREE TOUR: http://secretguitarteacher.com/youtub... Video script: First, an important reminder as to exactly what the CAGED system is: When you tune the guitar to standard tuning E A D G B E and then play all the notes of the same name - all the Cs - all the G#s all the Bbs doesn't matter which note - you get a particular pattern. This pattern is pretty confusing for anyone learning guitar - it doesn't seem to follow any particular logic. But almost miraculously, there is a logic hidden within it... Each part of the pattern relates to the position of the root notes in each of the five basic open chords CAGE and D. And, in essence, that is the CAGED system - simply an easy to remember method of locating notes on the fret board. So that is the CAGED system and it is important to see that it is simply something that exists in the same way as the solar system exists or the days of the week exist. There are however a great number of ways of utilizing the CAGED system. Here is a list of just some of the things it can be used for by guitar teachers, students, songwriters and guitar players. And because of the usefulness of the system, over several decades, many books, articles, online guitar lessons, videos and presentations of all kinds have been made on the subject. Unfortunately, many of these specific APPLICATIONS of the CAGED system have been promoted as being the system itself. And this is how we have ended up with the ridiculous situation where otherwise perfectly rational guitar teaching authorities are writing articles called 'Why the CAGED system Sucks' or '9 Reasons why the CAGED system is bad for you'. Maybe some of these guys are just cynically exploiting the popularity of the system and its many applications to help promote their own systems, but for the most part I think it is more likely that they simply haven't grasped the difference between the CAGED system and one of its many applications. So the wrong way to use the CAGED system is to confuse one of its applications with the system itself. For example, most of the articles condemning the CAGED system are actually condemning the 1fpf system of fingering scale patterns as being inferior to the 3 NPS system. The 3nps system connects the notes in the CAGED system like this. Whereas the 1fpf system connects the notes in the CAGED system like this. Now in my view, which of these is a better system is largely a matter of personal preference, but even if you can argue for one being hands down a etter system than the other, they are both of them simply different ways of working within the CAGED system. Unfortunately it seems that somewhere along the line someone produced a book called something like 'the CAGED system of scales for guitar' and in it, they advocated the 1fpf fingering system. And this then went on to become incorrectly identified with the CAGED system by a great number of people who read this book or were exposed to one of its many offshoots. So we get articles entitled 3NPS versus the CAGED system ... which if you have followed this lesson closely you will see is a nonsense title. In the next lesson we'll take a look at how the CAGED system can be used as an organising system. A kind of Five Draw Filing Cabinet in which you can store licks, riffs, and musical phrases played on the guitar. I'll show you how this helps speed up the process of learning things by ear, remembering how to play them after you have learned them, and being able to translate them to other keys, other sets of strings, or other positions on the fret board.