The CINEMATIC logic of Stanley Kubrick's ROOM 237 (Time Frame) скачать в хорошем качестве

The CINEMATIC logic of Stanley Kubrick's ROOM 237 (Time Frame)

ROOM 237 highlights the TIME EQUALS SCREEN phenomenon. The entire negative was exposed, meaning that there was no in-camera hard matting so the film was effectively shot in Academy 1.37:1 BUT it wasn't intended to be shown in cinemas that way. The film was shot and conceived for 1:1.85 ratio screening (and the camera viewfinders had the 1.85 framelines marked on them) This is the standard ratio that widescreen films in the US are projected in. The 1:185 crop was achieved when the film was projected onto cinemas screens. http://www.visual-memory.co.uk/faq/ht... Open THE SHINING (US VERSION, incl. logo and end credits) in Adobe Premiere (perfect time coding) and you'll see it says 02:23:37 (and 10 frames). It's a doubled 237, accept for the 7 which is an elusive number.