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University of Georgia Wind Ensemble ft. Noise Saxophone Quartet Nicholas Enrico Williams, Conductor Second Nature by Viet Chong Performance Date: October 17, 2024 Second Nature (2024) Viet Cuong (b. 1990) The term “second nature” typically describes a skill that, while baffling at first, becomes effortless once mastered. Naturally, Second Nature calls for a quartet of saxophonists to tackle the virtuosic demands of the piece and make their efforts look easy. The solo quartet must also play with exacting ensemble coordination as they emulate complex electronic delay effects, which, when combined with thumping four-on-the-floor drumbeats, capture the infectious exuberance of House music. Written in three unbroken movements, this concerto often exudes pure, unbridled joy. For many years composition felt like play, and my music was infused with much more whimsy than gravitas. That changed to a great degree in 2020. My compositions, both by intention and the unconscious intrusions of the wider world, became darker and introspective. I had even come to terms with the possibility that my music would remain in this darker place for a very long time. However, with the brightness of its opening and closing C-major chords, Second Nature is me finding my way back. In that way, “second nature” is less of a description of something that has become effortless, but rather something which is relearned, an inclination rediscovered—nature, for the second time around. Program note by the composer About The Composer: Called “alluring” and “wildly inventive” by The New York Times, the music of American composer Viet Cuong has been performed on six continents by musicians and ensembles such as the New York Philharmonic, Eighth Blackbird, Alarm Will Sound, Atlanta Symphony, Sandbox Percussion, Albany Symphony, PRISM Quartet, and Dallas Winds, among many others. Cuong’s music has been featured in venues such as Carnegie Hall, Lincoln Center, and the Kennedy Center, and his works for wind ensemble have amassed several hundreds of performances worldwide. Passionate about bringing these different facets of the contemporary music community together, his recent projects include a concerto for Eighth Blackbird with the United States Navy Band. He is currently the Pacific Symphony’s Composer-in-Residence and serves as Assistant Professor of Music Composition at The University of Nevada, Las Vegas. Cuong holds degrees from Princeton University (MFA/PhD), the Curtis Institute of Music (AD), and Peabody Conservatory (BM/MM).