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Bach Prelude n 17 BWV 862 from WTC 1 is frequently depreciated from an esthetic point of view, and this probably arises from lack of comprehension of the rests in the principal theme, and also from want of a satisfactory clue to the structure, as regards periods, of the piece. If the first measure be taken as unaccented, i. e. the second as answering to it, and if one read with full measure (from bar-stroke to bar-stroke), the first section is torn into mere disconnected 2 -measure shreds. The second period, with which the first section concludes, modulates to the key of the dominant, and opposes a more lively movement to that of the principal thought. The second section is a fairly faithful reproduction of the first, with inverted voices, but with modulation turned towards the under side, i. e. to the principal key, and from thence towards that of the under dominant, so that, at the end, the principal key is established without any difficulty. As to the first section, so also to the second is appended a close-confirmation of one measure, but, in addition, a coda of 8 measures and a one-measure confirmation. The intentional avoidance of the nearest related minor keys deserves note; even the parallel key is scarcely touched and this, in part, explains the joyful repose of the whole piece. Playlist Bach Well-tempered clavier: • The Well-Tempered Clavier part 1 Welcome to Carmelo Paolucci YouTube channel! Please SUBSCRIBE to my channel and ACTIVE notification with the bell! Subscribe: / @ing.carmelopaolucci332 Played on Yamaha P125 piano stage, Tamara House. Video Recording Samsung galaxy A54. VST: Hamburg Steinway D Pianoteq Stage 8.4 Editing: Wondershare Filmora #bach #piano #prelude #pianoteq #wohltemperierteklavier