Master Dubstep: Create the Famous Getter Squelch | Serum Tutorial: Getter Style Dubstep Bass скачать в хорошем качестве

Master Dubstep: Create the Famous Getter Squelch | Serum Tutorial: Getter Style Dubstep Bass

Join me, Subterranean, on a sonic adventure as we unlock the secrets to mastering the famous Getter Squelch! 🎶 In this engaging tutorial, you'll learn how to create that iconic high-pitched, squelchy bass that's taking the dubstep world by storm. Using Ableton, Serum, and a touch of NI Massive magic, we'll explore the creation of this unique sound. Perfect for music producers interested in sound design, drum and bass, or future bass! With my expertise in electronic music, I'll guide you through every step, from initializing presets to fine-tuning effects. Watch now and master the sound that has captivated artists like Getter! Share your thoughts in the comments, and don't forget to like, subscribe, and explore more resources on BassGorilla. Together, let's make some noise in the world of music production! 🔥🎧 CHAPTERS 00:00 Introduction 00:17 Squelchy Bass Overview 01:04 Oscillator Setup 01:48 Modulation Tweaks 03:24 LFO Adjustments 04:09 Wave Table and Filter 05:58 Effects in Serum 09:56 Adding Vocoder and Reverb 15:23 Final Tips 16:59 Closing Hey everyone! Subterranean here to show you how to create a Getter-style dubstep bass using Serum. Follow along and learn to make your bass squelch like the pros! Leave a comment and subscribe! Go here to download this template: https://bit.ly/2FZsXLj Learn how to create a Getter-style squelchy bass in Serum. Follow this easy tutorial by Subterranean and enhance your dubstep tracks with unique sounds. SUMMARY Introduction and Objective **Overview of the Bass Sound**: The video introduces a high-pitched, squelchy type of bass, popular in recent dubstep songs and made famous by artists like Getter. **Initial Setup**: Opening Serum, initializing a preset, and removing external effects to start with a blank slate. Oscillator Configuration **Oscillator A Setup**: Selects "Basic Shapes" from the analog category. Sets the wave table position to six and utilizes FM from Oscillator B with 33% warp. **Oscillator B Setup**: Chooses "Reyms Two" from the spectral category. Tunes the level of Oscillator B down and adjusts FM with LFO 1 to 27%. Synchronization and Modulation **LFO 1 Configuration**: Loads a pre-made shape called "Getter." Sets the rate to 1/4 and mode to trigger to reset the pattern with each note. **LFO 2 Setup**: Keeps the rate at 1/4 with a trigger mode. Adjusts curves for subtler modulation for later effects. Filtering and Sound Shaping **Oscillator B Warp and Sync Settings**: Adds Sync No Window warp to Oscillator B with modulation set to 40%, enhancing the squelchy sound. **Filter Configuration**: Uses HB Twelve under the multi-category with the cutoff and resonance set to 56% and 47%, respectively. Effects and Final Adjustments **Basic Effects**: Adds Hyper Dimension with modified mix settings for minor phasing. Applies distortion with the drive set to 31%. Uses flanger, delay, and compressor to shape the final sound. **Advanced Effects**: Incorporates reverb with very low decay and mix settings, followed by OTT compression to emphasize reverb and fill space without cluttering. Final EQ adjustments to balance different frequencies and cleanup resonant frequencies. Adds Clip Shifter for extra sound coloration. Final Result and Tips **Completed Sound**: Adjustments in the sound for the desired signature getter-style bass. **Extra Tips**: Using the semitones panel on Oscillator B for additional squelch effects. Employing pitch bending in bass patterns to enhance interest and diversity.