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Join my Patreon community to support future video projects like this one, and to access behind-the-scenes content + community events: / sarahbellereid In the spring of 2025, I spent a week at the Stony Brook University Electronic Music Studio, working closely with their original Buchla 200 Series modular synthesizer. Built in the early 1970s by pioneering instrument designer Donald Buchla & associates, this rare instrument is one of the few surviving and fully intact systems of its kind. Due to its rarity, very few musicians have had the opportunity to interact with an original 200 system firsthand. I hope this video will help bridge that gap by sharing the instrument’s sound, design philosophy, and aesthetic intentions with a wider audience. The video begins with a brief historical overview of the Buchla 200 Series and its role in the rapidly evolving landscape of 1970s electronic music. From there, I dive into a detailed walkthrough of the system, exploring each module with sound demonstrations and examples. We conclude with some reflections on the Buchla 200’s design philosophy, offering insights into the types of musical interaction the instrument was built to encourage (and why it continues to resonate with musicians and designers today). Join my FREE Introduction to Synthesis mini course here (no experience or special gear required): https://www.soundandsynthesis.com/fir... Learn how to make your own unique music with modular synths and master the fundamentals of sound design inside my step-by-step course & coaching program, Learning Sound and Synthesis®—no experience needed!: https://www.soundandsynthesis.com This video was created in collaboration with the Buchla Archives, an organization dedicated to the thorough and thoughtful documentation and preservation of Donald Buchla’s work. RESOURCES MENTIONED IN THIS VIDEO: My Overview of the 1st Buchla 100 [VIDEO]: • Exploring the 1st Buchla 100 Modular Synth... Music by Daria Semegen and Bülent Arel: • Bulent Arel, Daria Semegen, "Electronic Mu... Modular Synthesis Patching Machines & People [BOOK]: https://www.routledge.com/Modular-Syn... - Theodore Gordon's writings on Buchla and Cybernetics Between the Tracks: Musicians on Selected Electronic Music [BOOK]: https://direct.mit.edu/books/edited-v... - A chapter analyzing the use of the Stony Brook 200 in music by Arel and Semegen, written by Margaret Schedel The Composer's Black Box [BOOK]: https://www.ucpress.edu/books/the-com... - forthcoming book by Theodore Gordon about Cybernetics and early electronic music TIMESTAMPS: 00:00 Introduction 2:22 200 Series History 9:15 System Overview (Sound Generation)11:56 System Overview (Mixing Facilities) 13:34 System Overview (Control Voltage Generation and Processing) 17:04 200 Series Workflow Improvements 22:46 Dynamic Timbral Modification 39:44 Polyphonic Signal Generation 49:15 Spatial Location and Mixing 59:04 Complex Pattern Generation 1:10:22 Expressive Interaction in the 200 1:21:13 What is an Electric Music Box? Sarah Belle Reid is a Canadian performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation. www.sarahbellereid.com