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Let’s build a bag for the Sound Devices 833. More Videos: • Freelance Video Production Life In this video, I’m building out my new Sound Devices 833 audio bag, replacing the MixPre-10 that I’ve been using full-time for the last three years. I walk through how I physically bag the 833 in an OR-30 bag, how I wire power, inputs, outputs, and AES, and how I configure the system so it’s ready for real-world broadcast and location sound work. This isn’t a “pretty” build — this is how I actually work on jobs for ESPN, Fox Sports, corporate, and documentary projects. Every jumper, cable choice, and routing decision is about speed, redundancy, and reliability in the field. In this video you’ll see: Moving from a MixPre-10 to the Sound Devices 833 Bag layout and fit inside an OR-30 Power distribution and L-series backup batteries Installing the Sound Devices XL-AES adapter Wiring AES from a Wisycom MCR54 Jumper philosophy for fast field work SD card setup, formatting, and test recording Timecode setup and jam with Tentacle This is part 2 of a 3-part series: Part 1 - • MixPre → 833 Upgrade: Why I Made the Switch Part 2 - • MixPre → 833 Bag Build: Installing the 833... Part 3 - • MixPre → 833 Tutorial: Menu, Channels, Set... Chapters 00:00 Why This Bag Build Matters 00:33 Removing the MixPre-10 02:56 My Jumper Philosophy 04:10 What Stays in the Bag (Power, Wisycom) 05:20 Removing Analog Cabling 06:24 Test Fit of the 833 07:20 L-Series Backup Batteries 08:11 Installing the XL-AES Adapter 10:07 Adjusting the OR-30 Bag 11:09 Power Wiring & Strain Relief 11:48 Cabling Strategy Overview 12:34 Output & Input Jumpers 14:13 Bluetooth Antenna & Aux Outs 15:03 Timecode Cabling 15:49 AES Routing to Wisycom 16:26 A Note on Career Growth & Patience 18:57 Powering the MCR54 19:49 AES Input Setup on the 833 21:26 SD Card Selection & Formatting 23:34 Test Recording 24:06 Timecode Jam & Final Check 24:46 Series Wrap-Up If you’re thinking about upgrading your recorder or building a professional sound bag, I hope this helps you think through your own workflow. Go behind the scenes with me at Location Audio Jobs: • Behind the Scenes: Location Sound for FOX’... • What It’s REALLY LIKE Doing SOUND on a NAR... • Location Audio for Notre Dame Football Fea... • How I Did LOCATION AUDIO for ESPN at the N... Find Me Online: / bhansen522 / brianhansenmultimedia / @hansenmultimedia https://hansenmultimedia.com https://www.productionhub.com/profile... WHO AM I? I’ve spent my entire career as a perpetual student of the craft. Learning cameras, lighting, composition, audio, and editing has consumed my life. I’ve been mentored by amazing professionals, and I have mentored a few people myself. There’s always something to learn, and always someone to teach. Available for location sound, editing, and camera work for your next project. None of these links are affiliate links, just stuff that I use in my professional work. Business inquiries at bhansen544@gmail.com #sounddevices #locationsound #833