У нас вы можете посмотреть бесплатно Othello Analysis: Act 2 Scene 2-3 или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Instantly download the PDF SLIDES used in this entire series by visiting my Shop and making a one-time purchase. Click here: / literature_walkthrough | Then click on SHOP. You can also support this channel by making a donation here: 1) Patreon: / literature_walkthrough 2) PayPal: paypal.me/5QRod 3) YouTube Super Thanks: click the heart below the video You can email me at: shakespeare.walkthrough@gmail.com Thank you very much. Please Like and Subscribe. It helps a lot. SOLILOQUY #2 Iago: "If I can fasten but one cup upon him" 11:54 SOLILOQUY #3 Iago "And what's he then that says I play the villain?" 34:48 Characters Discussed: (for more information on Character see: • Othello: Character Analysis ) C1 Othello: balanced character high with low (Apollo + Dionysus): 01:07 C3 Iago: crude, vulgar (all Dionysus), character foil 04:16, 06:23; psychopath 11:54; charismatic psychopath 13:58; psychopathic manipulator 21:17; lies by telling the truth 24:09, 27:37, 34:48 C4 Cassio: good-natured, gentlemanly 04:16; weak sense of self 06:23, (peer pressure) 11:54; puritanical, snobby, arrogant, weak shadow 13:58, 27:37; professional, dutiful, Apollonian, needy? 27:37 C6 Roderigo: loser, slavish follower 40:39 Themes Discussed: (for more information on Theme see: • Othello: Theme Analysis ) T17 Baseness vs nobility, juxtaposition 01:07, 04:16, 08:48 T17 Baseness and nobility -- healthy balance of high and low / spirit and body 01:07; 27:37 T16 Excess vs moderation 01:07, 04:16, 27:37 T12 Love: physical love as expression of spiritual marriage of true minds 01:07, 08:48 T13 Love as mere bestial sex 04:16, 08:48, 34:48 T5 We see what we expect/want to see (projection) 04:16, 06:23, 24:09, 27:37, 34:48 T18 Language reveals character 04:16, 06:23, 11:54 T7 Psychopathology 11:54; charisma 13:58; manipulation 21:17; lie by telling the truth 24:09, 27:37, 34:48; primes victim to see things in a certain way, presents self as concerned ally 24:09, 27:37 T10 Weak shadow (poorly developed/integrated aggression) 13:58 T11 Reputation and peripeteia (reversal of fortune) 13:58, 27:37 T8 Manipulation 21:17; manipulator primes victim to see things in a certain way, presents self as concerned ally 24:09, 27:37 Writing a LITERATURE ANALYSIS ESSAY? See my practical guide with model papers: • Literature Analysis Made Easy If you're interested in more Shakespeare analysis, see my other playlists: ROMEO and JULIET: • Romeo and Juliet For Romeo and Juliet THESIS STATEMENT prompts see: • Плейлист MACBETH: • Macbeth Scene by Scene Analysis For Macbeth THESIS STATEMENT prompts see: • Плейлист HAMLET: • Hamlet Scene by Scene For Hamlet THESIS STATEMENT prompts see: • Плейлист OTHELLO: • Othello TWELFTH NIGHT: • Twelfth Night All commentary and summary in this series is designed to help students: — Prepare for GCSE, A-Level, IB, and AP evaluation — Prepare for general quizzes and exams — Generate ideas for analysis essays — Participate knowledgeably in class discussions