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Today, it's the story of a band that made rock history by literally singing their way onto the cover of Rolling Stone. This ragtag bunch of musical misfits from Jersey looked more like a gang of bikers than pop stars. Their lead singer wore an eye patch that made him look like a pirate, and their sound was unlike anything else on the radio... they were the musical equivalent of a traveling circus. And they were a powerhouse scoring 8 massive hits in the 70s and early 80s that we still love today. but then they just vanished. It's a wild ride from dive bars to the top of the charts on this New edition of Professor of Rock. We call short and sweet. ----------------------------------------------------------------------------------------------------------------------- Executive Producer Brandon Fugal Honorary Producers Junal Garnett, Samuel Cohen, Jeff Kolek, Steve, Anthony Fedora ----------------------------------------------------------------------------------------------------------------------- Subscribe to the Professor of Rock Podcast Apple - https://apple.co/445fVov Spotify - https://spoti.fi/42JpfvU Amazon Music – https://amzn.to/44b5D6m iHeartRadio – https://bit.ly/444h8MO ----------------------------------------------------------------------------------------------------------------------- Check Out The Professor of Rock Merch Store -http://bit.ly/ProfessorMerch ----------------------------------------------------------------------------------------------------------------------- Check Out Patron Benefits http://bit.ly/ProfessorofRockVIPFan Help out the Channel by purchasing your albums through our links! As an Amazon Associate, I earn from qualifying purchases at no extra cost to you, thank you for your support. Click here for Premium Content: https://bit.ly/SignUpForPremiumContent https://bit.ly/Facebook_Professor_of_... https://bit.ly/Instagram_Professor_of... #classicrock #70smusic #vinylstory #70srock Hey Music Junkies We’re doing a new quick version of the show called short and sweet 1 band and count down their best songs in 10 minutes.. let's talk about one of the most unlikely success stories in rock history, Dr. Hook and the Medicine Show… later called just “Dr. Hook.” They were never supposed to be successful. Hell, they weren't even supposed to be a real band. Their break came when musical director Ron Haffkine tapped them to cut songs by Shel Silverstein—the famed children’s author and songwriter—for a 1971 Dustin Hoffman film. But more on that in a minute. The story begins in Union City, New Jersey in 1968, when clean-cut singer Dennis Locorriere met up with guitarist Ray Sawyer at a local bar. Ray had been through hell and back. A 1967 car accident had nearly killed him, leaving him with permanent damage to his right eye that required him to wear a patch. Ray embraced this pirate look and made it part of his persona. Combined with his long hair, cowboy hat, and scraggly beard, he looked like a cross between a pirate and an Old West outlaw. Dennis and Ray clicked immediately, bonding over their love of music and their shared sense of humor. They started playing around the Jersey club scene, picking up other musicians along the way: among them Billy Francis on keys, guitarists George Cummings and Rik Elswit, Jance Garfat on bass, and Jay David on drums. They called themselves Dr. Hook and the Medicine Show, a name that captured their carnival-like approach to entertainment. Dr. Hook epitomized the countrified and 'laid-back' style in vogue during the early 70s. Though their material was sung in a Dixie drawl and 3 members were genuine southerners, this was still a New Jersey bar band at heart. One evening they impressed a talent scout looking for an outfit to record cartoonist Shel Silverstein's film score… for the 1971 flick “Who's Harry Kellerman And Why Is He Saying These Terrible Things About Me?” That meeting changed everything. Shel Silverstein wrote classics like "The Giving Tree" and "Where the Sidewalk Ends," but he was also a songwriter. Silverstein became the band's creative guru, spiritual advisor, and in many ways, their meal ticket. He had an uncanny ability to write songs that matched Dr. Hook's aesthetic. CBS Records signed the band, and almost immediate international success followed with 'Sylvia's Mother' from their debut album. The song hit #5 in the US. The follow-up album Sloppy Seconds was also penned by Silverstein and featured the #6 hit The Cover of the Rolling Stone. The band embarked on a punishing touring schedule and began to write increasing number of their own compositions. Some were included on their third LP Belly Up!. By then, the band—soon tore just Dr. Hook—was gaining in popularity, but albums sales told a different story… expressed by the title of their next album Bankrupt. However, things started looking up with a revival of Sam Cooke's 'Only Sixteen' which reached #6 on the Hot 100. The next year they hit #11