Chemarea Iancului, a oilor și a porcilor - Tulnicăresele din Câmpeni скачать в хорошем качестве

Chemarea Iancului, a oilor și a porcilor - Tulnicăresele din Câmpeni

Maria Ana Gligor ,,Marița”, 55 ani – tulnic Grupul de tulnicărese ,,Apuseni” Video: Ion Minoiu Câmpeni, jud. Alba, sâmbătă 7 septembrie 2002 Fiică a unui cunoscut meșter de tulnice din Țara Moților, Maria Ana Gligor a început să deprindă chemările/semnalele specifice acestui instrument de suflat tubular - cu lungimi ce variază între 1,5 și 3 metri - încă de la vârsta de 7 ani. De-a lungul vieții, a cules tot felul de chemări, cântece și povești, nu doar de la tulnicăresele din Vidra, satul ei natal, ci și de la mai multe bătrâne de pe Valea Arieșului, printre care se numără și profesoara Elena Pogan din Târsa. Marița nu e doar o renumită tulnicăreasă, ci și un iscusit meșter popular, așa cum veți putea vedea în postări viitoare. În 2015 a fost declarată ,,Tezaur Uman Viu”. Iată aici un prim montaj video, surprins la un an de la fondarea grupului de tulnicărese ,,Apuseni”. Alphorn signals represent a unique category in Romanian musical folklore because they develop on the basis of archetypal patterns which cannot be lent to other genres. These formulas are based on the range of natural harmonics produced by the tube of the alphorn and have some common stylistic characteristics: the usage of a certain register of the spectrum of harmonics from which distinctive motives are outlined, the relatively free progress of musical phrases of different lengths, the rubato rhythms and the standing out of normally the ABC formal patterns (introduction, signal, ending). According to peculiarities of construction and to the traditions of each region Alphorn signals differ from area to area. In Romania three distinct signal “dialects” can be outlined: that of the Western Carpathians (the Apuseni mountains), that of the Moldo-Wallachian area and finally that of the north, comprising the regions of Oaş, Lăpuş, Maramureş and Bucovina. Although comprising four distinctive folkloric regions the northern area is stylistically unitary concerning alphorn signals. Two types of alphorns are known here: a long cylindrical tin one (this type is less likely to be made out of wood nowadays) and a tin variant of the first type (called trâmbiţă or trânghiţă) which has a twisted cylindrical tube. Both types can produce sound from the 6th – 16th series of harmonics. the second type of Alphorns with a twisted cylindrical tube. The intensity and force with which the sound is projected over long distances make this instrument suitable for mountain heights. The obstinate repetition of one high sound and then its prolonging is aimed to launch the message into the distance. Alphorn blowing may also function as a call for help or for bringing in the fold, trained through conditional reflexes, but there is also evidence that in the past alphorns were used to drive away evil spirits. Although the magical function of the alphorn has now been lost the insistence on melodic rotations may be a sign of the repetitive nature of incantations. #tulnic #alphorn #apuseni