Gottfried Heinrich Stölzel (1690-1749) - Concerto grosso a quattro Chori скачать в хорошем качестве

Gottfried Heinrich Stölzel (1690-1749) - Concerto grosso a quattro Chori

Alles Gute zum Geburtstag Gottfried Heinrich Stölzel! 🎺🎉 Composer: Gottfried Heinrich Stölzel (1690-1749) Work: Concerto grosso (D-Dur) a quattro Chori Performers: Heinz Zickler (trumpet); Hellmut Schneidewind (1928-2011, trumpet); Otto Jahn (trumpet); Walter Schetsche (trumpet); Württemberg Chamber Orchestra; Jörg Faerber (1929-2022, conductor) Painting: Flemish school (17th Century) - Soldiers on horseback in a landscape HD image: https://flic.kr/p/2o98Z5V Painting: Franciscus Gysbrechts (1649-c.1677) - Trompe-l'œil aux instruments de musique et à la gravure du Bravo de Titien Huile HD image: https://flic.kr/p/2o98Z59 Further info: https://www.discogs.com/es/sell/list?... Listen free: No available --- Gottfried Heinrich Stölzel [Stöltzel, Stözl] (Grünstädtel, 13 January 1690 - Gotha, 27 November 1749) German composer and theorist. He received his first music instruction from his father, a pupil of the Halle court organist Moritz Edelmann. In 1707 he became a student of theology in Leipzig. The city had a lot to offer from a musical point of view: its opera had been reopened shortly before, which Stölzel liked to visit. He became acquainted with Melchior Hoffmann, at the time music director of the Neukirche and conductor of the Collegium Musicum, both in succession of Georg Philipp Telemann, who had left Leipzig in 1705. Perfecting his art under Hoffmann, Stölzel also acted as his copyist, and started composing: initially Hoffmann performed these compositions as his own, Stölzel gradually coming to the open as their composer. In 1710 Stölzel went to Breslau in Silesia, where his first opera, Narcissus, on his own libretto, was performed in 1711. Returning to Halle after over two years in Silesia, he composed the operas Valeria, instigated by Johann Theile, for Naumburg, and Rosen und Dornen der Liebe for Gera. In 1713 he composed two further operas on his own librettos, Artemisia and Orion, both premiered in Naumburg. Late in 1713 he travelled to Italy, where he met composers like Johann David Heinichen and Antonio Vivaldi in Venice, Francesco Gasparini in Florence and Antonio Bononcini in Rome. Returning after more than a year, he spent some time in Innsbruck, and travelled over Linz to Prague where he worked for nearly three years (1715-17). In 1715 the post of Kapellmeister at the court of Schwarzburg-Sondershausen became vacant. Stölzel applied, but Prince Christian William I promoted Johann Balthasar Christian Freißlich, the court organist, to Kapellmeister in 1716. Court musicians such as Johann Christoph Rödiger felt disappointed with their master's choice. In Prague Stölzel premiered three more operas, several oratorios, masses, and many instrumental compositions. Stölzel was for a short time court Kapellmeister in Bayreuth (1717-18) and in Gera (1719). His opera Diomedes was premiered in 1718 in Bayreuth. Stölzel married with Christiana Dorothea Knauer on 25 May 1719. They had nine sons and one daughter. Three sons died at a young age. On 24 November 1719 Stölzel assumed the position of Kapellmeister at the court in Gotha, where he worked under the dukes Frederick II and Frederick III of Saxe-Gotha-Altenburg until his death in 1749. Stölzel initiated several theoretical works about music, but only one of these was published during his lifetime. In 1720 Prince Günther I succeeded his father in Sondershausen. He too regretted his father's choice for the court Kapellmeister. He asked Stölzel to provide music for the court chapel. However, Stölzel did not comply to this request until 1730, when Freißlich was leaving for Danzig (where he was appointed in 1731). In 1739 Stölzel became a member of Lorenz Christoph Mizler's Society of Musical Sciences. The last two years of his life Stölzel suffered from ill health, becoming feeble-minded.