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Alexey Titarenko was born in Leningrad in 1962. Black and White Magic of St. Petersburg Series "...Once, I came across a book, which for some reason slipped my attention in the past. It was Fjodor Dostoevsky early stories. . . I opened the book at random; the story "White Nights" captivated me so fully that I kept reading it over and over again. Dostoevsky seemed to have read my thoughts. Deeply inspired by this piece, I decided to make a new series of photographs based on the story. For the epigraph, I took the following citation from the story: There are, Nastenka, though you may not know it, strange nooks in Petersburg. It seems as though the same sun that shines for all Petersburg people does not peep into those spots, but some other different, new one, as if bespoken expressly for those nooks, and it throws a different light on everything. In these corners, dear Nastenka, a quite a different life is lived, quite unlike the life that is surging round us. But such as perhaps exists in some unknown realm, not among us in our serious, overserious, time. Well, that life is a mixture of something purely fantastic, feverently ideal, with something (alas! Nastenka) dingly prosaic and ordinary, not to say incredibly vulgar・Listen Nastenka. Let me tell you that in these corners live strange people ・dreamers.* Yet another source of my inspiration was Brahm`s Violin Concerto." From the interview for SHOTS magazine, 2005 Translated from Russian by Constance Garnett. In: Dostoevsky, Fyodor. White Nights. London: Heinemann, 1970, p. 15 At age 15, he became the youngest member of the independent photo club Zerkalo (Mirror). He graduated from the Department of Cinematic and Photographic Art at Leningrad's Institute of Culture in 1983. His series of collages and photomontages "Nomenklatura of Signs" (first exhibited in 1988 in Leningrad) is a commentary on the Communist regime as an oppressive system hat converts citizens into mere signs. In 1989, "Nomenklatura of Signs" was included in Photostroyka, a major show of new Soviet photography that toured the US. After the collapse of the Soviet Union in 1991 he produced several series of photographs about the human condition of the Russian people during this time and the suffering they endured throughout the twentieth century. To illustrate links between the present and the past, he created powerful metaphors by introducing long exposure and intentional camera movement into street photography. The most well known series of this period is City of Shadows. In some images urban landscapes reiterate the Odessa Steps (also known as the Potemkin Stairs) scene from Sergei Eisenstein's film The Battleship Potemkin. Inspired by the music of Dmitri Shostakovich and the novels of Fyodor Dostoevsky, he also translated Dostoevsky's version of the Russian soul into sometimes poetic, sometimes dramatic pictures of his native city, Saint Petersburg. Titarenko's St. Petersburg body of work from the 1990s won him worldwide recognition. In 2002 the International Photography Festival at Arles, France presented this work at the Reattu Museum in the exhibition, "Les quatres mouvements de St. Petersburg" curated by Gabriel Bauret. In 2005, the French-German TV Channel Arte produced a 30-minute documentary about Titarenko entitled Alexey Titarenko: Art et la Maniere. Titarenko's prints are subtly crafted in the darkroom. Bleaching and toning add depth to his nuanced palette of grays, rendering each print a unique interpretation of his experience and imbuing his work with a personal and emotive visual character. This particular beauty was recently emphasized during the exhibition of his prints from his Havana series at the Getty Museum (Los Angeles, May-October 2011). His works are in the collections of major European and American museums, including The State Russian Museum (St. Petersburg); The Getty Museum (Los Angeles); the Philadelphia Museum of Fine Art; George Eastman House (Rochester, N.Y.); the Museum of Fine Arts (Boston); The Museum of Fine Arts (Columbus, Ohio); the Museum of Fine Arts (Houston); the Museum of Photographic Arts (San Diego); the Davis Museum and Cultural Center at Wellesley College (Mass.); the European House of Photography (Paris); the Southeast Museum of Photography (Daytona Beach, Fla.); the Santa Barbara Museum of Fin Arts (Cal.); the Jane Voorhees Zimmerli Art Museum at Rutgers University (N.J.); the Reattu Museum of Fine Arts (Arles); and the Musee de l'Elysee Museum for Photography (Lausanne). Music; Ulver - Darling didn't we kill you