The Handcrafted Utopia: Author Talk with Thomas Guiler скачать в хорошем качестве

The Handcrafted Utopia: Author Talk with Thomas Guiler

In his new book, The Handcrafted Utopia: Arts and Crafts Communities in America's Progressive Era, Thomas Guiler takes a look at three intentional communities within the Arts and Crafts Movement — Rose Valley, Byrdcliffe, and Roycroft. In this webinar, Guiler focuses on one of these communities — Roycroft, located outside Buffalo in East Aurora, NY. Preservation Book Club programming is sponsored by the Peggy N. & Roger G. Gerry Charitable Trust. https://www.preservenys.org/preservat... The book is available here: https://www.hamilton.edu/offices/lits... About the Book: In response to the trauma of industrialization and urbanization in the late-nineteenth century, the Arts and Crafts Movement took America by storm. Art exhibits, workshops, and societies dedicated to handicraft, worker dignity, and the production of beautiful art for the masses sprouted from California to Boston. Englishman Ralph Radcliffe Whitehead founded an art colony named Byrdcliffe in New York’s Catskill Mountains. Elbert Hubbard, a former soap salesman, established an Arts and Crafts community business, Roycroft, outside Buffalo, New York. William Lightfoot Price, an architect, built the Rose Valley Association outside Philadelphia. They endeavored to reform the economic and social inequalities of industrial capitalism through communal living, artistic development, craft, and the sale of finely crafted furniture, architecture, metalwork, and more. This was what they believed was living “the art that is life.” For these community members, this meant producing and selling art with a social message as well as living everyday life as if it was a work of art. In imagining a compromise between machine-dominated industry and handicraft, these artisans sought to critique industrial capitalism and carve out a space where craftspeople could once again flourish in community. Rose Valley, Byrdcliffe, and Roycroft were total sensory installations of the Arts and Crafts Movement that stood as community-workshops that were an alternative to brutal industrialization. About the Author: Thomas A. Guiler (Ph.D., Syracuse University) is the director of museum affairs at the Oneida Community Mansion House in Oneida, New York. He was assistant professor of history and public humanities at the Winterthur Museum, Garden & Library in Wilmington, Delaware. He also served at the president of the Communal Studies Association. He has published on the history and material culture of intentional communities such as Oneida and of the Arts and Crafts Movement.