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Rush – “Subdivisions” | Classic Rock Drummer Perspective “Subdivisions” is one of Rush’s defining songs and a perfect snapshot of where the band was in the early 1980s. Released in 1982 on the album Signals, this track marked a major moment in Rush’s evolution—blending their progressive rock roots with synth-driven textures and modern themes. From the start, Geddy Lee is absolutely killing it, handling both bass and keyboards with authority and precision. The bass lines are melodic and driving, while the synths give the song its unmistakable atmosphere. Alex Lifeson’s guitar tone is instantly recognizable—clean, sharp, and textural, cutting through the mix without overpowering it. And then there’s Neil Peart. What can you say? His drumming is powerful, thoughtful, and perfectly composed—one of the greatest to ever sit behind a kit. Lyrically, Subdivisions is about growing up on the outside, feeling pressure to conform, and the isolation that can come from life in suburban environments. It’s a song about identity, individuality, and trying to find your place in a world that expects you to fit neatly into a mold. Decades later, those themes still hit hard. As a classic rock drummer, this song stands out not just for its technical skill, but for how well everything serves the message. The groove, the dynamics, and the arrangement all work together to support the story being told. It’s thoughtful, powerful, and unmistakably Rush. This is one of those tracks that proves why Rush remains so respected—not just for their musicianship, but for their willingness to tackle real, relatable subjects in a smart and meaningful way.