The Divine Comedy of Dante | Inferno | Human Voiced, No Ads скачать в хорошем качестве

The Divine Comedy of Dante | Inferno | Human Voiced, No Ads

00:00:00 Canto I 00:08:47 Canto II 00:17:40 Canto III 00:25:55 Canto IV 00:34:46 Canto V 00:43:58 Canto VI 00:51:26 Canto VII 00:59:52 Canto VIII 01:07:59 Canto IX 01:15:57 Canto X 01:23:55 Canto XI 01:30:49 Canto XII 01:38:59 Canto XIII 01:47:50 Canto XIV 01:59:16 Canto XV 02:03:27 Canto XVI 02:11:13 Canto XVII 02:19:18 Canto XVIII 02:27:26 Canto XIX 02:35:14 Canto XX 02:42:14 Canto XXI 02:51:47 Canto XXII 03:00:58 Canto XXIII 03:09:47 Canto XXIV 03:18:38 Canto XXV 03:27:42 Canto XXVI 03:35:58 Canto XXVII 03:43:50 Canto XXVIII 03:52:18 Canto XXIX 04:00:21 Canto XXX 04:09:21 Canto XXXI 04:17:31 Canto XXXII 04:25:45 Canto XXXIII 04:35:16 Canto XXXIV Join this channel to get access to perks:    / @asmr_historian   Check out my Patreon for Ad Free Viewing:   / asmrhistorian   Merch: https://histmerch.shop/ Dante’s Inferno, the first part of The Divine Comedy, is a journey through the nine circles of Hell, guided by the Roman poet Virgil. Written in the early 14th century by Dante Alighieri, this epic poem explores themes of justice, sin, and divine retribution. As Dante descends deeper into Hell, he encounters historical and mythological figures suffering punishments that correspond to their earthly sins. Each circle intensifies in torment, from the uncommitted souls in Limbo to the treacherous frozen in the lake of Cocytus. Structured in terza rima, Inferno is not only a vivid depiction of medieval Christian theology but also a reflection of Dante’s personal and political views. His intricate allegories and detailed descriptions have influenced literature, art, and philosophy for centuries. A full reading of Inferno brings to life its powerful imagery, moral lessons, and poetic brilliance, offering a timeless meditation on human nature and the consequences of one’s actions. Information sourced from Wiki, Gutenburg, JSTOR, primary and secondary sources. All information is congruent with archaeological and history evidence at the time of recording.