Read a polyphony with animated pointers / Noel Bauldeweyn Missa a 5* 'canonic structure subdiapason' скачать в хорошем качестве

Read a polyphony with animated pointers / Noel Bauldeweyn Missa a 5* 'canonic structure subdiapason'

Buy handmade miniature harpsichords: https://leocerante.com https://leoceranteworkshop.etsy.com NOEL BAULDEWEYN (c. 1480 – c. 1530) Kyrie from Missa en douleur en tristesse a 5, circa 1508 There is an elusive 5th voice that you can hear as a canon structure indicated in the manuscript by the "Fuga in subdiapason" written in red above the soprano part: This part is sung by the Tenor 2: sub-octave, 2 measures behind the soprano. As I explained It starts in the 3 dots-type symbol on the pause in the first line and finishes in the g (with the same symbol) sustaining the note as a maxima in the last line of the soprano part from the first page (as an example). The same system is employed in the Christe Eleyson and the last part; Kyrie Eleyson. Take a closer look and open your ears. What is funny is to notice that in the line of the Soprano and Tenor there are diapasons attached to the noses of the figures. BEAUTY FARM BART UVYN [countertenor] FLORIAN SCHMITT | JON ETXABE ARZUAGA [tenor] ARNOUT LEMS [bariton] | JOACHIM HÖCHBAUER [bass] Animation and research: Leonardo Cerante