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Should the songwriter get all the songwriting royalties? Or split it with the band? Does the drummer get something for setting the tempo? Did the bassist add anything deserving of owning a piece of the song? Tim from Underoath, Biggie from Good Fight Management, Brian from Metal Blade Records, Mike from 10th St Entertainment, and Tim from Sound Talent Group discuss music royalties and publishing in the context of sustaining a career in the music business. LIKE, COMMENT, AND SUBSCRIBE! Sign up for near-daily emails with more in-depth advice for your career in music. Visit https://www.outerloopcoaching.com! Free e-book! Music Management Primer by Mike Mowery https://outerloop.group/music-industr... Get a powerful email program to monetize your email list: https://outerloop.group/email Get our favorite resource for growing a great fanbase on the road: https://outerloop.group/toursmart Connected: Strategies for Networking in the Modern Music Industry https://outerloop.group/connected-str... Breaking In For Non-Musicians https://outerloop.group/breaking-in-t... Our complete system for releasing your album or EP the right way: https://outerloop.group/release-it-ri... How to release your music in 2020: • How To Release Music in 2020 | Has It Chan... How to Release Your Music on Social Media: https://outerloop.group/how-to-releas... [MUSIC BIZ CASE STUDY] Why Billboard and Album Stream Numbers Matter: https://outerloop.group/music-biz-cas... Get your music into films, TV, and video games. Complete course! https://outerloop.group/moviemusic