Agricultural Subsidies: Corporate Welfare for Farmers скачать в хорошем качестве

Agricultural Subsidies: Corporate Welfare for Farmers

"The government is bailing out the banks...but who's going to bail out the government?" asks Texas cotton farmer Ken Gallaway, a vocal critic of agricultural subsidies that cost U.S. taxpayers and consumers billions of dollars a year in direct payments and higher prices for farm goods. Agricultural subsidies were put in place in the 1930s during the Great Depression, when 25 percent of Americans lived on farms. At the time, Secretary of Agriculture Henry Wallace called them "a temporary solution to deal with an emergency." Those programs are still in place today, even though less than 1 percent of Americans currently live on farms that are larger, more efficient, and more productive than ever before. Consider these facts. Ninety percent of all subsidies go to just five crops: corn, rice, cotton, wheat, and soybeans. Two thirds of all farm products—including perishable fruits and vegetables—receive almost no subsidies. And just 10 percent of recipients receive 75 percent of all subsidies. A program intended to be a temporary solution has become one of our governments most glaring examples of corporate welfare. U.S. taxpayers arent the only ones who pay the price. Cotton subsidies, for example, encourage overproduction which lowers the world price of cotton. Thats great for people who buy cotton, but its disastrous for already impoverished cotton farmers in places such as West Africa. U.S. farm programs cost taxpayers billions each year, significantly raise the price of commodities such as sugar (which is protected from competition from other producers in other countries), undermine world trade agreements, and contribute to the suffering of poor farmers around the world. Its bad public policy, especially in these troubled economic times. "Agricultural Subsidies: Corporate Welfare for Farmers" is hosted by Reason.tv's Nick Gillespie and is approximately 8.30 minutes long. The producer-writer is Paul Feine and the producer-editor is Roger Richards.