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00:00 - I. Allegro moderato 09:17 - II. Andante moderato 13:17 - III. Rondo _____ Bassoon: Klaus Thunemann Clarinet: Eduard Brunner Conductor: Hans Stadlmir Orchestra: Munich Chamber Orchestra Year of Recording: 1986 _____ "The Concerto for Clarinet and Bassoon, which survives in a manuscript copy in the library of the Princes of Thurn und Taxis in Regensburg, was probably written before 1780. It is in many respects a more successful work than the Double Clarinet Concerto and may, therefore, have been written some years later. The difference in timbre between the clarinet and bassoon is exploited very effectively by Stamitz in this work and there is, moreover, a far greater degree of independence in the writing for both solo instruments. The bassoon is not an instrument well suited to tragedy; it is hardly surprising then that although Stamitz flirts briefly with the minor mode - notably in the Rondo finale - the prevailing mood of this charming work is one of genial good spirits and gentle humour.” (Allen Badley) _____ Note: There are several places that the recording used abridges the orchestral tuttis of this work, for example at 9:49 or 13:49. In addition there are slight audio engineering issues at the initial bassoon entrance, 2:20. _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.