Beethoven - Sonata Op. 31, No. 2 (No. 17) "The Tempest" | Stanislav Stanchev скачать в хорошем качестве

Beethoven - Sonata Op. 31, No. 2 (No. 17) "The Tempest" | Stanislav Stanchev

One of my favorite Sonatas by Beethoven - Piano Sonata No. 17 in D minor "The Tempest", Op. 31, No. 2! Hope you`ll like it and enjoy :) Movement 1: Largo – Allegro Movement 2: Adagio (B♭ major) (9:34) Movement 3: Allegretto (16:55) Moonlight Sonata -    • Beethoven - Moonlight Sonata (Full) Op. 27...   La Campanella -    • Liszt - La Campanella | Stanislav Stanchev   Liszt/Horowitz - Hungarian Rhapsody No. 2:    • Liszt/Horowitz - Hungarian Rhapsody No. 2 ...   More Liszt Videos here:    • Franz Liszt   Chopin - Etude Op. 10, No. 1:    • Chopin - Etude Op. 10 No. 1 in C major / C...   You can support the channel by buying me a coffee here :) : PayPal: https://paypal.me/stanislavstanchev Patreon:   / realstanchev   Instagram:   / realstanchev   Facebook:   / stanchev.s   Twitter:   / realstanchev   If you like the video consider subscribing for my channel to keep up with my latest work! :) Thanks for watching! The Piano Sonata No. 17 in D minor, Op. 31, No. 2, was composed in 1801–02 by Ludwig van Beethoven. It is usually referred to as The Tempest (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime. The name comes from a reference to a personal conversation with Beethoven by his associate Anton Schindler in which Schindler reports that Beethoven suggested, in passing response to his question about interpreting it and Op. 57, the Appassionata sonata, that he should read Shakespeare's Tempest; some however have suggested that Beethoven may have been referring to the works of C. C. Sturm, the preacher and author best known for his Reflections on the Works of God in Nature, a copy of which he owned and, indeed, had heavily annotated. Although much of Schindler's information is distrusted by classical music scholars, this is a first-hand account unlike any other that any scholar reports. The British music scholar Donald Francis Tovey says in A Companion to Beethoven's Pianoforte Sonatas: "With all the tragic power of its first movement the D minor Sonata is, like Prospero, almost as far beyond tragedy as it is beyond mere foul weather. It will do you no harm to think of Miranda at bars 31–38 of the slow movement... but people who want to identify Ariel and Caliban and the castaways, good and villainous, may as well confine their attention to the exploits of Scarlet Pimpernel when the Eroica or the C minor Symphony is being played." #Beethoven #TheTempest #Piano