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September 19, 2025 at the Metropolitan Waterworks Museum performing Yvette Janine Jackson's ENTF (Backspace) modified version Audio: Matthew Azevedo Live sound: Lucas Bickford Videographers: Wenhua Shi and Miguel Gonzales ENTF (Backspace) is an immersive audio piece that links historical events with pressing social questions against the backdrop of the space tourism industry. Jackson uses archival materials, found texts, field recordings, a chamber ensemble, and a modular synthesizer merge into a dense soundscape and an exploration of language and identity. About the artists Yvette Janine Jackson draws on her experiences as a theatrical sound designer to create an aesthetic of narrative soundscape composition she calls “radio opera.” Her compositions have been heralded as “immersive non-visual films” (The Guardian). Jackson is a recipient of the 2025 Herb Alpert Award in the Arts. Jackson’s projects often draw from history to examine relevant social issues. Her album Freedom is described as “one of the most unique releases to chronicle the Black American experience” (The Wire). Recent projects include Hello, Tomorrow! for orchestra and electronics co-commissioned by Carnegie Hall and American Composers Orchestra; and T-Minus, A Radio Opera commissioned by the International Contemporary Ensemble. Her permanent installations Underground (Codes) and Destination Freedom can be experienced at Wave Farm in Acra, New York, and the International African American Museum in Charleston, South Carolina. . Jessica Shand is a flutist, producer, composer, and researcher currently based out of Providence, RI. She merges contemporary experimental classical, jazz, and electronic performance practices with mathematics and computer science to (de)construct sound as a relational interface between and among humans and machines. This performance is presented with the support of the Waterworks Museum and WZBC 90.3 FM.