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Self-playing ambient patch. Patch notes below. Patch notes: ALM Busy Circuits Pamela's New Workout is the central part of this patch. Channel 1 sends a random clock pulse to the clock input on Chance (settings: x1, Gate, Level 100%, Width 50%, RSkip 50%). Channel 2 sends a random CV to input 1 of the precision adder on Mutable Instruments Links (settings: /2, Random, Level 27%, Offset 10%, Width 50%). Channel 3 and 4 are sending random gates to input A and B of the Logic section of Mutable Instruments Kinks (settings: x6, Gate, Level 100%, Width CV1, RSkip 42% and /1.5, Gate, Level 100%, Width CV1, RSkip 40%). Channel 5 is sending a random gate to the freeze input of Chance (settings: /2, Gate, Level 100%, Width 83%, RSkip 52%). Channel 6 is sending a sine wave to the brightness input on Rings (settings: /3, sine, Level 100%, Width 50%). Channel 7 is sending a sine wave to the position input on Rings (settings: /3, sine, Level 100%, Width 50%). Channel 8 is sending a sine wave to the input of the sign section on Kinks (settings: /11, sine, Level 100%, Width 50%). Qu-Bit Electronix Chance is sending the clock output to the clock input on Disting MK4, the rhythm output is patched to the trigger input on Clouds, the smooth output is patched to the CV1 input on Pam's, the discrete output is patched to the size input on Clouds, the wavetable output is patched to the position input on Clouds, the blend output is patched to the density input on Clouds. Expert Sleepers Disting MK4 is in F-5 Shift Register Random CVs algorithm in an open loop, patched into the precision adder on Links. Intellijel uScale II is receiving CV from the precision adder on Links, output A goes to Rings, output B goes to Tides. Mutable Instruments Tides is used as an oscillator, the smoothness is modulated by the inverted output of the sign section on Kinks, the bi-polar output goes to channel 3 on Blinds, the uni-polar output goes to the pitch input on the Ataraxic Translatron. Noise Engineering Ataraxic Translatron is set to patch 0, it is in clock mode and is receiving audio from the uni-polar output of Tides, the output goes to channel 2 on Blinds. Mutable Instruments Peaks is sending two different envelopes to channel 2 and 3 of Blinds, channel 1 is triggered by the max output of the logic section of Kinks, channel 2 is triggered by the min output of the logic section of Kinks. Mutable Instruments Rings is in modal resonator mode with 4 note polyphony. The odd output is patched into the input of the ALM Busy Circuit S.B.G, out to the Fender Runaway Feedback and back again, and from there to channel 1 of Blinds. The summed output of Mutable Instruments Blinds goes to the input of Clouds. Fender Runaway Feedback is set to toe down, full wet, feedback level at around 75%, tolerance at around 85%, and harmonic to 0 (natural feedback). Mutable Instruments Clouds is in the standard granular mode, with wide stereo width, a bit of feedback, wet at around 50%, and reverb at around 70%.