TUTORIAL | Transpose a Harmony chord progression | VCV Rack | no talking скачать в хорошем качестве

TUTORIAL | Transpose a Harmony chord progression | VCV Rack | no talking

Demo patch to explain how a Harmony or Harmony II (Squinktronix) chord progression can be transposed to achieve sequence variation while maintaining key and scale. Download patch at https://patchstorage.com/tutorial-tra... The upper half of the patch uses the Harmony module. In oppose to Harmony II, it implements chord inversions. The lower half is very similar, but uses Harmony II. The X-pose parameters of both modules slightly differ, therefore requiring different setups. Crossfade between the two modules using the Mix knob of Blender (Sickozell). First, a chord progression (Cmaj, Gmaj, Emin, Fmaj), is created by feeding single notes (C, G, E, F) from NoteSeq16 (JW-Modules) into Harmony. Harmony's 'X-pose' is used to offset the progression by scale steps rather than semitones. As the scale steps parameter does not follow the V/Oct standard, OFS (docB) is used as an adapter for conversion. Amount of transposition is controlled by ADDR-SEQ (Bogaudio), in which for each scale step up or down, 0.1V is added or subtracted. Example: Addition of 0.3V (+0.3V) transposes a note up by 3 scale steps, e.g. from C to F. Similarly, a subtraction of 0.2V (-0.2V) transposes a note down by 2 scale steps, e.g. from G to E. This way, a chord progression can be transposed in the range of -/+ 1 octave (-/+ 7 scale steps) by adjusting steps in ADDR-SEQ by up to -/+ 0.7V. As an additional voice (muted by default), the chord progression is arpeggiated using Arp (Hampton Harmonics), which can be activated by unmuting it in the Venom Mute module. In Harmony II, X-pose has its own port (XP) for CV control. In contrast, the port is missing in Harmony, so uMap (stoermelder) is employed for parameter control. #vcvrack, #chords, #transposition, #progression, #chordprogression