So You Want to Animate: After Effects for Designers [Part 1] | Adobe MAX 2020 Presentation скачать в хорошем качестве

So You Want to Animate: After Effects for Designers [Part 1] | Adobe MAX 2020 Presentation

The first ever virtual, global #AdobeMAX is over, and we were fortunate to play a small role in sharing stories and inspiration with the Motion Design Community. Since we're all about sharing the best info for free, we've got a few videos from the conference to drop right here. Two of our fabulous School of Motion course instructors teamed up for an awesome 4-part lab aimed at introducing designers to #motiondesign in #AfterEffects! In part 1, director/illustrator Sarah Beth Morgan introduces you to possible approaches, concepts, and workflow for animating your #Photoshop or #Illustrator designs. Want to create amazing designs like Sarah Beth? Check out our course Illustration for Motion (https://som.bz/ifm), and see more of Sarah Beth’s amazing work at her site (https://sarahbethmorgan.com). Catch part 2 of this presentation:    • So You Want to Animate: After Effects for ...   Learn More: https://som.bz/3MvoPQH View this video on the Adobe MAX event site: https://adobe.ly/3mcPSSu ~ - ~ - ~ - ~ - ~ - ~ - 🎓INTERACTIVE ONLINE CLASSES 🎓 All Courses | http://som.bz/2wKsBDu 🧭FREE 10-DAY INTRO COURSE 🧭 The Path to MoGraph | https://som.bz/2VNHb7D 🚴‍♀️FOLLOW US FOR MORE LEARNZ 🚴🏾‍♂️ Website | https://som.bz/2VMjr3N Podcast | https://som.bz/3czNeCP Facebook | https://som.bz/3cF3SBh Twitter | https://som.bz/2PQfSWF Instagram | https://som.bz/2POOJU7 --------------------------------------------------------------------- Auto-Generated Transcript Below 👇 Sarah Beth Morgan (00:07): Hey everyone. I'm Sarah Beth Morgan, and I'm a freelance illustrator and art director from Portland, Oregon. I'm also an instructor for Skillshare and school of motion. And I am super excited that you've joined us today for this Adobe lab. Nol Honig. And I will go into detail about animating your designs from scratch. Really focusing on teaching technique to those of y'all, who haven't really dove into after effects yet to those of you who might be really into design and illustration, but you want to add some more emotion to your work. So you've definitely come to the right place. That's what this four-part lab series is all about. And to give you some context here is what our final product will look like at the end of the four parts. After I talk about design and Nol designs into some motion and after effects today, in part one, we'll focus in on the beginning stages, researching and concepting. Um, I'll kind of go into a little bit of backstory about what different levels of motion there are and how you can implement those into your future work. And then we'll also start in Photoshop and we'll learn how to create a Photoshop file from scratch that actually will work really well to bring into after effects later, feel free to ask questions in the chat pod. I'll do my best to answer them. And again, we're just so happy that you're here. Thank you so much for joining us. Let's get started. Sarah Beth Morgan (01:28): All right. Y'all so before we get into the nitty-gritty of designing for animation, I want to pull back the curtain a bit on the different levels of motion design we encounter in the world here in this lab, we'll be honing in on level one, which involves very subtle movement, often added for a little extra pizazz on editorial illustrations or on websites, or sometimes in social media posts. Is there typically looping gifs, mostly created with simple key frame animation and after effects, which no, we'll go into a bit more later. I'd say level one is most suited to visual designers or illustrators who are just getting their feet wet with after effects and motion design or animation. I'd say it's a great first step to take. And here's some examples of what I mean. So this first animation I have here is by Lynn Fritz. Um, she's a colleague of mine in the industry. Sarah Beth Morgan (02:19): She's an amazing freelancer, but I love this like subtle bug animation. She's got going on. Just a couple of things, moving around the frame it's looping, so it can kind of just be stared at forever. And then we have this other gift by Morgan Romberg. The great thing about this one is that it's, it doesn't even use much ease, which I know we'll talk about later. It just kind of like a steppy animation of this wave passing over the glasses. So it's pretty simple and it all happens very quickly. This is all very subtle and this is the kind of animation we'll be focusing on here in this lab. Level two is what I would call Instagram post level. Maybe there's a little transition or a big sweeping movement involved. These are more complex than level one animations, but not as intense as creating a full-on short film or a narrative story, arc character animation, 3d animation. For the full transcript visit: https://som.bz/2WrMM2V