✨ 2026.02.21 BABYMETAL METARAJI #60 (ENG SUB) ✨ скачать в хорошем качестве

✨ 2026.02.21 BABYMETAL METARAJI #60 (ENG SUB) ✨

Welcome back to TOKYO FM’s BABYMETAL METARAJI! This week is the final night with guest Metatomo Takeru Satou (aka “Takeru Metal-san”), and the conversation goes everywhere—in the best way. In this episode: A heartfelt listener message from 14-year-old “Konmetal-chan” from Kanagawa, sharing how attending “LEGEND METAL FORTH” gave her strength during a tough time with school—and how SU/MOA/MOMO respond with warmth and encouragement. Takeru Satou talks about what kind of role he wants to do next: superpowers—and he recommends the Korean drama Moving (romance + powers = unbeatable combo). They discuss Korean productions (including Marry My Husband) and why he respects that “no-compromise” attention to detail. The actor getting too deep into a role topic leads to a hilarious story: while preparing for Tenno no Ryoriban, he practiced “château peeling” by constantly rotating a potato in his hand (yes… seriously), and the girls roast him lovingly for it. Favorite works: he brings up Inuyashiki (based on a manga he loves), and explains why it feels so satisfying. Music pick: Paledusk – HUGS Takeru Satoh opens up about his YouTube approach (not “just for YouTube,” more like documenting what he’s already doing), including how he builds characters like “Glass Heart,” and his love for “nazotoki” (escape-room / puzzle-solving). Q&A box time: the girls talk honestly about how hard it is to make friends in the entertainment world—plus a surprisingly comforting take on why that struggle is “normal.” Focus rituals: a tiny “meditation” moment, plus how he used ONE OK ROCK for hype during Rurouni Kenshin action scenes… and yes, he’s listened to BABYMETAL too (he even says he likes Gimme Chocolate!!). Moa’s “dream right now”: performing live in front of the Pyramids of Giza (with projection mapping!), plus chaos ideas like headspins in the desert. The serious plan they actually want to do: a wanko soba eating challenge. Closing song pick comes from a memorable concert moment: Perfume – Meguruupu, tied to the “cold sleep” (hiatus) era and watching the show from the same box at Tokyo Dome.