Terri Lyne Carrington & Christie Dashiell | Driva'man | Power Station Sessions скачать в хорошем качестве

Terri Lyne Carrington & Christie Dashiell | Driva'man | Power Station Sessions

Watch Terri Lyne Carrington and Christie Dashiell perform "Driva'man" from new album 'We Insist 2025!', out now! Order +Listen on all streaming platforms now: https://tlcdrum.lnk.to/WeInsist2025YO Vocals: Christie Dashiell Drums: Terri Lyne Carrington Bass: Morgan Guerin Guitar: Matthew Stevens Dance: Christiana Hunte Four-time GRAMMY-winning, NEA Jazz Master Terri Lyne Carrington and GRAMMY-nominated vocalist Christie Dashiell present We Insist 2025!, a bold reimagining of the seminal 1961 album We Insist! Max Roach's Freedom Now Suite. Originally created by Max Roach in collaboration with Abbey Lincoln and lyricist Oscar Brown Jr. We Insist! commemorated the centennial of the Emancipation Proclamation and served as a rallying cry during the civil rights movement. Recognized by the Library of Congress and cited among the most essential jazz recordings in history, its message remains as vital and urgent today as it was when it was released in 1961. Carrington and Dashiell's reimagined version honors this legacy while expanding its sonic palette, blending jazz with influences from gospel, neo-soul, funk, Afro-Latin, West African, and blues traditions. The album features an extraordinary lineup of musicians, many of whom are Candid recording artists, including Weedie Braimah, Milena Casado, Morgan Guerin, Simon Moullier, and Matthew Stevens. A special guest appearance is made by Julian Priester, the only living musician from the original recording. Together, they breathe new life into Roach's timeless album, infusing it with the spirit of collective improvisation, meditation and joy as forms of resistance. We Insist 2025! is more than an album- it's a call to action, a commemoration of resilience, and a tribute to the enduring power of music to inspire change. With its fusion of tradition and innovation, the album not only honors the past but also points toward the future of jazz as a dynamic and comprehensive art form.