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Béla Bartók: Violin Rhapsody No. 1, Sz. 87 (the only piece in which Bartók used the cimbalom) Live recording 19. 10. 2024 – Prague 0:45 Lassú 5:27 Friss Solo Violin – Kryštof Kohout Conductor – Radek Baborák Orchestra – Prague Chamber Soloists Cimbalom – Gabriela Krchňáčková ShowCase 2024 Recording – Přemysl Havlík The Violin Rhapsody No. 1, composed in 1928, was originally written as a violin solo with piano accompaniment but was later arranged by Bartók for violin and orchestra. It exemplifies his deep connection to Hungarian folk music and his mastery of integrating folk elements into classical structures. The cimbalom is used effectively. The instrument’s bright, percussive timbre provides a striking contrast to the violin’s expressive lines. It also helps to evoke the folk music atmosphere that Bartók was so passionate about. The cimbalom’s role is not merely ornamental; its shimmering, bell-like sound can evoke the rhythmic and melodic patterns of Hungarian folk music, where similar instruments often provide the accompaniment for dances or melodies.