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The Cycle (Original Composition)

“The Cycle” is an orchestral composition that examines how large-scale musical structure can mirror recurring patterns of human civilization. I organized it in a ternary (ABA’) form to present a single thematic idea that undergoes transformation through shifts in orchestration, tempo, and harmonic tension. The opening section introduces the theme in the cello, supported by light pizzicato and staccato textures in the other layers that suggest expansion and stability. The central section disrupts this equilibrium through a reduced tempo, intensified brass instrumentation, and percussive emphasis, generating sustained harmonic and rhythmic tension without assigning narrative resolution. In the final section, the theme returns in a softened orchestration led by woodwinds, reframed rather than restored. Overall, I integrated the Chinese Guzheng within a Western orchestral context to expand the timbral palette and complicate cultural boundaries. This positions the work as an exploration of cyclical tension, coexistence, and reconstruction rather than linear triumph.