An Amazing Dotara Solo Performance || Subhamay Das Baul || Bhaber Ghare || Crazy Baul || скачать в хорошем качестве

An Amazing Dotara Solo Performance || Subhamay Das Baul || Bhaber Ghare || Crazy Baul ||

An Amazing Dotara Solo Performance || Subhamay Das Baul || Bhaber Ghare || Crazy Baul || ভাবের ঘরে || শুভময় দাস বাউল || ◆The Dotara (or dotar) is a two, four, or sometimes five-stringed musical instrument resembling a sarod. It is commonly used in Assam, Bangladesh, West Bengal & Bihar, and dates from the 15th-16th century when it was adopted by the ascetic cults of Bauls and Fakirs. The dotara is one of the most important instruments used in various genres of folk musicin Bengal and Assam. It has two main forms, the bangla and the bhawaiya. The bangla form originated in the Rahr Bangla region, where it is still predominantly played. It has metal strings, which give it a brighter tone than other instruments played in the area. Although a dotara can have 4-5 strings, most playing is done primarily on two strings, hence the name. The dotara is a plucked stringed instrument, played in an open note combination, often played alongside folk percussive instruments such as Dhol, Khhol or Mandira. It is made out of neem or other hardwood, with an elongated, roundish belly for a sound box, which tapers to a narrow neck culminating in a peg box which is often elaborately carved in the shape of a peacock-head, swan-head or other animal motif. The fingerboard is fretless and made of brass or steel, as in a sarod. The sound box of the instrument is covered with a tightly stretched kidskin or lizard-skin, as in a rabaab or a sarod. With four strings, the dotara is tuned as follows (from top to bottom)—Soh(lower)-Do-Do-Fah. The Indian notation would read: Pa - Sa - Sa - Ma with Do/Sa being the tonic/root note of the song. ◆The kanjira / Dubki ( Baul ) is a relatively difficult Indian drum to play, especially in South Indian Carnatic music, for reasons including the complexity of the percussion patterns used in Indian music. It is normally played with the palm and fingers of the right hand, while the left hand supports the drum. The fingertips of the left hand can be used to bend the pitch by applying pressure near the outer rim. It is not tuned to any particular pitch, unlike the mridangam or the ghatam. Normally, without tuning, it has a very high pitched sound. To get a good bass sound, the performer reduces the tension of the drumhead by sprinkling water on the inside of the instrument. This process may have to be repeated during a concert to maintain a good sound. However, if the instrument is too moist, it will have a dead tone, requiring 5–10 minutes to dry. Tone is also affected by external temperature and moisture conditions. Performers typically carry a couple of kanjiras so that they can keep at least one in perfectly tuned condition at any given time. ◆Dotara & Dubki / Kanjira - Subhamay Das Baul ( শুভময় দাস বাউল ) Bhola / Vhola ◆Video & Editing - Nilanjan Das ◆Sound Track - Nilanjan Das ◆Documentation - Nilanjan Das ◆Bhaber Ghare Contact +919593655766 ◆Date of Recording - 11 September 2018 ◆Place - Baul Kuthir Monohor Dham ( Subhas pallay, Shyambati, Santiniketan - Shantiniketan, West Bengal, India. ◆●◆Please Subscribe The Channel For Next Upcoming Songs & Supporting Bhaber Ghare 🙏 #BhaberGhare #SubhamayDasBaul #DotaraSolo