Franco Corelli & Coro - O holy night - | 25.03.1965 скачать в хорошем качестве

Franco Corelli & Coro - O holy night - | 25.03.1965

#FrancoCorelli #Oholynight #AdolpheAdam 3/25/65: Concert (benefit): New York, St. John’s University, Alumni Hall, Jamaica Campus, ore: 2030: combined Glee Clubs of St. John’s University and Orchestra; maestro direttore Anton Guadagno Gioachino Antonio Rossini - Guglielmo Tell - Sinfonia Manuel de Falla - Jota - (Canciones populares españolas) (C) Giacomo Puccini - Tosca - Recondita armonia (C) Francesco Paolo Tosti - 'A vucchella - (Gabriele d’Annunzio) (C) Pietro Mascagni - L'amico Fritz - Intermezzo Giacomo Puccini - Tosca - Recondita armonia - (C) Giacomo Puccini - La fanciulla del West - Ch' ella mi creda (C) Ludwig van Beethoven - Christus am Ölberge - Halleluja - (coro) Wolfgang Amadeus Mozart - Requiem Dies Irae - (coro) Giuseppe Verdi - Il trovatore - Di quella pira - (C) Interval Jules Massenet - Le cid - O souverain, ô jude, ô père - (C) Edoardo di Capua - 'O sole mio - (Giovanni Capurro) (C) Amilcare Ponchielli - La gioconda - Danza delle ore - George Posford - The world is mine Tonight - (Holt Marvell) (C) Ernesto de Curtis - Tu, ca' nun chiagne! - (Libero Bovio) (C) César Franck - Panis angelicus - (Thomas Aquinas) (C, coro) John Francis Wade - Adeste fideles - (C, coro) Charles Gounod - Messe solennelle de Sainte-Cécile Sanctus (coro) Adolphe Adam - O holy night - (Placide Cappeau) (C, coro) Salvatore Cardillo - Core 'ngrato - (Riccardo Cordiffero) (C) Gilberto Starone gives March 25 as the date of the St. John University concert. Other sources have March 8. A and programme from the concert has "Monday Evening, the Eight of March, at Eight Thirty, Ninteen Hundred and Sixty-Five." Had the concert been postponed there would have been more than enough time to reprint the programme. I could find no review of the concert in the NY Times. The programme itself indicated Gluck’s Paride ed Elena: "O, del mio dolce ardor" in place of De Falla’s "Jota", and does not indicate "Core ’ngrato" which may have been performed as an encore.