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A short (ish) video about JW's techniques in using strings as a 'bubbling' effect. Shout out to Xanthe Tan on @StarWarsMusicMinute and Connor Power for suggesting 'bubbling'. I define it as (often) an up and down scalic string filigree - sometimes measured and sometimes aleatoric. Usually used as harmonic accompaniment material. 00:00 Intro and 1m3/2m1 Luke's Escape and example 09:28 Comparison with Hedwig's theme in HP 15:50 4m2 The Rebels Escape Again - accompaniment 17:37 5m1 Crash Landing - mixed octatonic scales and falling down 19:30 11m2/12m1 descending bubbling in an octatonic scale 20:22 7m2 Attack Position - A harmonic minor accompaniment 21:33 11m1 Through the window - more octatonic/ a minor unison bubbling and aleatoric bubbling 23:38 octatonic T1 with A harmonic minor dual bubbling 24:47 TPM 1m7 Introducing Jar Jar violin bubbling accompaniment Next time tremolando/trills as 'bubbling'/energy in TESB One of my brilliant patrons points out the following: " it was also used a fair bit by Stravinsky, usually in winds rather than strings, eg. Fireworks, Chant du Rossignol, Petrushka, and by Ravel in Daphnis. and then of course the opening of Bartok's Miraculous Mandarin. I don't know where the earliest example of this kind of texture in Williams is, but it's certainly already well-developed in Jaws (eg "1m2 First Victim"), and obviously you see it a lot in CEOTTK....also Symphonie Fantastique, last movement) see • H. Berlioz: Sinfonía fantástica V - Songe ... for example but there are others in that movement. • H. Berlioz: Sinfonía fantástica V - Songe ...