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Ryan Summers, creative director at SPILLT, is an award-winning visual effects artist who has worked on iconic films such as Toy Story and Jurassic Park. 3 31 Offset 00:00 Start 59:57 *** Ryan Summers *** 01:24:49 Alex often speaks of the innovation in 3D when they first saw 'layering'. Did you have a special moment when you first realized the potential? 01:29:45 What new places do you find audiences today that has not be accessible previously? How have modern audiences expectations evolved in the modern age of media saturation and lower attention spans? 01:33:55 What specific considerations come into play when designing content for the casino/slot machine market? Are there regulatory compliance issues that come into play? 01:35:58 How do creatives deliver "Authentic" story experiences in an age of deep fakes, and AI tools are ubiquitous? What timeless elements should be included in any evergreen content regardless of the medium? 01:42:49 Do you ever select music in advance to help bring life to your animation? If yes, where has this impacted your work the most? 01:44:15 Do you storyboard as much these days as you might have in the past? 01:47:43 What should be the role of patrons in the world of animation? Are there still new stories in need of funding that are best told through animation? 01:49:48 What are some of the keys to breathing life into simple shapes without making everything too complex? Phil Vischer says that Veggie Tales started with a cucumber and tomato because they are simple to draw. 01:54:29 24 Frames per second or is there some other magic fps number that is better for animation? Or is it project/story specific? 01:56:37 Dumb question. What is the insignia on you hat? 01:57:02 During the pandemic, it was said that "independent venues give artists their start." Do you think we'll ever see a tipping point where audiences will move away from elaborate productions back to more intimate environments to connect with an artist? 01:58:31 Do you endorse reading "Understanding Comics" by Scott McLeod?