Hiroshima Mon Amour: The Paradox of Sharing Memory скачать в хорошем качестве

Hiroshima Mon Amour: The Paradox of Sharing Memory

Works Cited Anderst, Leah. “Cinematic Free Indirect Style: Represented Memory in ‘Hiroshima Mon Amour.’” Narrative, vol. 19, no. 3, 2011, pp. 358–382. JSTOR, www.jstor.org/stable/41289309. Gauthier, Darcy. “Hiroshima Mon Amour: Between Everything and Nothing, the Trace….” East Asian Forum, vol. 13, no. 1, Jan. 2010, pp. 36–51. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=59622901&site=ehost-live. Goldie, Matthew Boyd. “The Rhetoric of Grief: ‘Hiroshima Mon Amour.’” English Language Notes, vol. 46, no. 1, Spring/Summer2008 2008, pp. 61–74. EBSCOhost, doi:10.1215/00138282-46.1.61. Holtzman, Hannah. “A Fifty-Two-Year Love Affair: Rewatching Hiroshima Mon Amour after Fukushima Rewatching Hiroshima Mon after Fukushima.” Contemporary French Civilization, vol. 43, no. 1, 2018, pp. 54–70. Mattia, Joanna Di. “Hiroshima Mon Amour.” Senses of Cinema, 27 July 2015, sensesofcinema.com/2013/cteq/hiroshima-mon-amour/. Cinémathèque Annotations on Film, Issue 70 Just, Daniel. “The Poetics of Elusive History: Marguerite Duras, War Traumas, and the Dilemmas of Literary Representation.” The Modern Language Review, vol. 107, no. 4, 2012, pp. 1064–1081. JSTOR, www.jstor.org/stable/10.5699/modelangrevi.107.4.1064.