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Debate: BREAKOUT An outside perspective does often overlook an inner truth. Throughout a film’s career, how are works of art labeled and placed behind barcodes? We explore ideas of borders and points of access. Guests: Julian Ross, film programmer // Peaches, musician Saturday, 11th February 2017 – 8pm AROUSED BY GYMNOPEDIES (Jimunopedi ni midareru) D: Isao Yukisada, C: Itsuji Itao, Sumire Ashina, Izumi Okamura, Yuki Tayama, DP: Takahiro Imai, JP 2016, 81 min., Japanese OV – EP Zany sex scenes interlace and structure Japanese film studio Nikkatsu’s homage to its own past — with Isao Yukisada reviving the “Roman Porno” films of the 70s and 80s. His career having hit rock bottom, a broke filmmaker jumps every woman crossing his path, his desire driven by the sonic universe of Erik Satie. THE HEADLESS APPEARANCE D+DP: Bori Máté, HU 2017, 2 min., without dialogue – WP Soil resounding, then the echo of dripping water submerged and muted in a river’s flow. A young filmmaker floats between old polaroids. Flickers. The recollected and the photographic become the canvas of a colorful intervention. The roughness of splashes seem an obvious reaction to years passing by in two minutes.