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Casting a Hand Holding an Object | EnvironMolds | 908 273-5401 | скачать в хорошем качестве

Casting a Hand Holding an Object | EnvironMolds | 908 273-5401 | 9 лет назад

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Casting a Hand Holding an Object | EnvironMolds | 908 273-5401 |

Hello there, Professor Molder, here. Hands make an extraordinary life casting gift because of their texture and expressiveness. They are also one of the simplest life casting sculptures to produce in terms of size, preparation time, modeling ease, use of material and space needed to create the mold and casting. So I am going to show you how to do it in his short video. I have chosen to cast a hand while holding an object. This gives special relevance to the sculpture and to the owner of the hand, especially if their interest is the sport related to the object they are holding such as a lacrosse ball, a badminton bird, tennis ball, hockey puck, softball and so on. I will go step-by-step through the molding and casting process to make certain it is clear. I have selected this slightly advanced hand cast instruction, because the most basic of hand casting, is done without holding anything, yet it follows the same procedure, without the object held. So I’m providing two lessons in one video – conservation of energy for your phyics lovers out there. The process begins with a container large enough for your hand and the object it will hold. You will need 1-pound of alginate. For this demonstration we are using MoldGel, but most brans will work such as Hollywood Impressions. The mold container is filled with water up to the top of container. A pose is then taken inside it with the object. Here I decided to cast a hand holding a computer mouse. Whatever the hand can hold may be cast. But it is important to practice the pose first as you want it centered in the container without touching the bottom. The one pound package of alginate is sprinkled into the container. A little trick, always add powder to the water or lumps will develop that are hard to remove even after stirring well. Use a wire kitchen whisk is used for stirring. This reduces the amount of air incorporated into the mix that can develop using a stick or spoon. Air creates air bubbles that can mar the surface of your mold. Once you have created a creamy smooth alginate mix, the hand is inserted into the container holding the object. A helper steadies the hand so that it stays in the middle while the alginate sets as the hand tends to drift without this help. Using a fast the medium setting alginate, this process takes 4-5 minutes. The helper raps on the outside of the container for several minutes. This helps trapped air escape to the surface. After the alginate has set to a rubber-like consistency, the model wriggles their fingers to break the suction of the alginate against the skin. Releasing the held object, and with a slow upward pressure the hand is removed. The next step is to mix the casting plaster. We are using CastRite here, put a good art plaster will do. Measure out the amount you need according to label directions. A whisk is used for this procedure as well; though gloved hands work just as well. The mixture is ready when it reaches the consistency of yogurt. Note the plaster sitting on top of the water. When this phenomenon occurs, you have added enough plaster to the water. Once the mixture is smooth and lump free, slowly pour the CastRite into the mold. In this case, we completely filled the container so as to create a base for our artwork. The plaster is poured all the way to the top of the mold container. Now that the mold has been filled, rap the sides for several minutes to remove the large air bubbles. You will see bubbles coming to the surface. Once the bubbles stop you can stop rapping. After about four hours, your casting should be set enough to demold. Complete setting takes about 24-48 hours. Remove the plastic molding container. You may need to slice down the side to open it if it is stuck. and carefully place its contents upside down to drain any excess water from the mold. Very carefully tear away at the gelled alginate to expose your new casting. The casting is not yet completely cured, and you can damage it if not careful. Fingers are easily broken at this stage. But with a little Super Glue, they are easily fixed after the plaster has completely dried. But de-molding now makes clean up easier as the plaster is soft and the flashing is much easier to remove at this state. Once the piece has been de-molded it will require some clean up. An old tooth brush and a sharp pointed object make the job easier. After clean up, the finished piece is proudly displayed. After about 48-hours the piece should be sealed with clear or a matte polyurethane sealer. You can also choose to paint it if you wish. Well that how you do. You can now practice on friends and family to create a gallery of beautiful hand castings their owners will admired for years to come.

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