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Claude Monet (14 November 1840 – 5 December 1926) was the founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in the 1874 “exhibition of rejects" initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother supported his ambitions to be a painter, his father disapproved and wanted him to pursue a career in business. He went on to study at the Académie Suisse, and under the academic history painter Charles Gleyre, where he was a classmate of Auguste Renoir. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was Eugène Boudin who introduced him to the concept of plein air painting. From 1883, Monet lived in Giverny, also in northern France, where he purchased a house and property and began a vast landscaping project, including a water-lily pond. Monet's ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and passing of the seasons. Among the best known examples are his series of haystacks (1890–91), paintings of the Rouen Cathedral (1894) and the paintings of water lilies in his garden in Giverny that occupied him continuously for the last 20 years of his life. Frequently exhibited and successful during his lifetime, Monet's fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for burgeoning groups of artists. The central figures in the development of Impressionism in France, listed alphabetically, were: Frédéric Bazille (1841–1870), who only posthumously participated in the Impressionist exhibitions Gustave Caillebotte (1848–1894), who, younger than the others, joined forces with them in the mid-1870s Mary Cassatt (1844–1926), American-born, she lived in Paris and participated in four Impressionist exhibitions Paul Cézanne (1839–1906), although he later broke away from the Impressionists Edgar Degas (1834–1917), who despised the term Impressionist Armand Guillaumin (1841–1927) Édouard Manet (1832–1883), who did not participate in any of the Impressionist exhibitions Claude Monet (1840–1926), the most prolific of the Impressionists and the one who embodies their aesthetic most obviously Berthe Morisot (1841–1895) who participated in all Impressionist exhibitions except in 1879 Camille Pissarro (1830–1903) Pierre-Auguste Renoir (1841–1919), who participated in Impressionist exhibitions in 1874, 1876, 1877 and 1882 Alfred Sisley (1839–1899)