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James Kalm does his paint-headedly best to keep his worldwide audience informed of the latest developments in the New York art community. This, and a great appreciation for local history, keeps your correspondent on his toes looking for, and documenting trends, movements, sensibilities and the general flow of cultural production. Ana Wieder-Blank’s “The Fairtale Protesters” is a timely manifestation of what James Kalm had dubbed the “New Material Painting”. Not that this sensibility deals with a new material (it’s mostly good old fashioned paint), but that it’s reviving interest in a notion of the physical substance of paint, fundamental questions like: what’s the structure of a painting, and how can a painter embed meaning or belief in the most disparaged of art forms? Wieder-Blank fashions primitive narratives from a mélange of biblical, Greek and contemporize myths, mostly dealing with our current state of tragic feminist contestation. This exhibition also includes glazed ceramic statues on heavily painted bases. This program was recorded February 3, 2019