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Ukrainska Orchestra Pawla Humeniuka - Easter songs 00:00 - Чому Галю не танцюєш - Ukrainska Orchestra Pawla Humeniuka 03:22 - Іде, іде, Жельман - Ukrainska Orchestra Pawla Humeniuka 1929 Columbia NY Columbia matrix W110287. Chomu hali︠u︡ ne tant︠s︡i︠u︡esh (Чому галю не танцюеш) Orkiestra Pavlo Humeni͡uk Title Chomu hali︠u︡ ne tant︠s︡i︠u︡esh (Чому галю не танцюеш) Easter song (Title descriptor) Czomu haliu ne tancuyesz Personnel Orkiestra Pavlo Humeni͡uk (Musical group) I︠E︡vhen Z︠H︡ukovsʹkyĭ (vocalist : baritone vocal) Roza Krasnovska (vocalist) Pavlo Humeni͡uk (leader) Pavlo Humeni͡uk (instrumentalist : violin) Additional Information Description: Instrumental ensemble, with female-male vocal duet Category: Instrumental with vocal refrain Marketing Genre: Ukrainian Language: Ukrainian Master Size: 10-in. Notes Information on this recording derives from data compiled and provided by Richard K. Spottswood, as well as disc labels examined by DAHR editors. January 1929 New York, New York 1 Master Surma SU148 10-in. January 1929 New York, New York 1 Master Columbia 27166-F 10-in. Issued for the Ukrainian market. Columbia matrix W110288. Ide, ide, z︠h︡elʹman (Іде, іде, жельман) Orkiestra Pavlo Humeni͡uk Title Ide, ide, z︠h︡elʹman (Іде, іде, жельман) Easter song Ide, ide, źelman Personnel Notes Orkiestra Pavlo Humeni͡uk (Musical group) Roza Krasnovsʹka (vocalist) Ewgen Zukovskyi (vocalist : baritone vocal) Pavlo Humeni͡uk (leader) Pavlo Humeni͡uk (instrumentalist : violin) Additional Information Description: Instrumental ensemble, with female-male vocal duet Category: Instrumental with vocal refrain Marketing Genre: Ukrainian Language: Ukrainian Master Size: 10-in. Notes Information on this recording derives from data compiled and provided by Richard K. Spottswood, as well as disc labels examined by DAHR editors. January 1929 New York, New York 1 Master Surma SU148 10-in. January 1929 New York, New York 1 Master Columbia 27166-F 10-in. Issued for the Ukrainian market. The violinist Pawlo Humeniuk migrated from Ukraine to America when he was 18, in 1902. There he worked with his brother at their instrument-making and -repair shop. He played his fiddle at social functions for immigrants from Eastern Europe. This medley contains a typical number of dance melodies known and loved by his expatriate audience. At the time of this recording, large amounts of ethnic music were recorded and purchased in America. Though America was the land of opportunity, it also left many feeling stranded, bereft of the cultural milieu in which they matured. Records such as this brought the sounds of the “old country” to life. Humeniuk played for decades, achieving renown as the “king of Ukranian fiddlers.” #ukrainianrecords