A Pen and Wash Watercolour. Fall Twilight Shadow Demonstration using only 3 colors. скачать в хорошем качестве

A Pen and Wash Watercolour. Fall Twilight Shadow Demonstration using only 3 colors.

** This painting will be for sale on Ebay, Sunday Sept. 11** http://www.ebay.ca/sch/sheelerart/m.h... This is a Line and Wash demonstration on painting an evening scene with mood. Music by Chris Martyn and Geoff Harvey. http://www.purple-planet.com MATERIALS: PEN: The Uni-ball deluxe micron pen. .05 nib. These pens are extremely waterproof on my papers and can be painted over immediately. PAPER: Size- 5"x7" Arches 1401b HOT PRESS Paper for this Video. My papers of choice include Arches 140lb Hot press and Cold press paper and Strathmore 500 series Sketchbooks. All are 100% cotton rag. For beginners, I recommend starting with a high quality paper and experimenting with different types. As your style develops, you'll get a feel for which type is best. Waiting to switch to a better quality paper later will be much like learning to paint all over again. MY PALETTE: All tube paints! Winsor newton- Yellow Ochre, Sepia, Burnt Sienna, Winsor Red, Davy's Gray, Ultramarine, Sap Green. DaVinci - Phthalo Blue, Quinachridone Fuchsia, Cadmium Yellow Lemon, Cadmium Yellow Deep. A note on Davy's Gray: I rarely use this pigment straight and when using it I usually mix it with each colour used. PAINT PALETTE:: The palette is the mixing tray from a "Koi" Watercolour travel set. The colours are set up so the ones I mix together most often are close together. The paints are poured onto slips of paper and then stuck to the palette. BRUSH: A Polar Flo 1/2 inch flat brush is my current favorite. The bristle were originally white but have become stained. I often use inexpensive brushes because several of my techniques are quite abusive. Whenever the brush disappears from the screen it is either being wiped off or rinsed. REFERENCE IDEAS: come from my imagination/memory, my own photos or by painting on location. I rarely draw what I see. I tend to draw what I wanted to see. If I use a reference photo, I prefer to look at it on my phone screen, nothing bigger. I'm not looking for a scene to paint, I'm looking for an idea to paint. Once I begin drawing I'll go for several minutes before I check the reference. Sometimes, once I've stared, I never refer to the reference again. I am currently unable to overlay an image of the reference photo as I don't have the proper software. As well, I haven't room on my current set up to simply display a photo on the work surface. I do hope to remedy this in the future.