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Chinese Performing Arts of North America北美中乐团 Reflections on Diaspora花果灵根集 Saturday, September 23, 2017, 8 pmat Jordan Hall 中華表演藝術基金會主办 Presented by Foundation for Chinese Performing Arts 演奏:包键 管子、胡建兵 笙、陈涛 笛子、周懿 琵琶、夏文杰 京二胡、翁惠 古筝、刘丽 小云锣 Performer : Bao Jian guanzi /Hu Jianbing sheng/Chen Tao dizi/ Zhou Yi pipa/Xia Wenjie jingerhu/Weng Hui guzheng/ Liu li yunluo Qing Dynasty, there were three blind artist communities, namely Beijing Dongcheng Big Buddhist Temple "Public Hall", NaiZiFu "Wuben Hall", DongBiaoBei east alley "Xinyi Hall", which were the properties of the previous generation.They were devoted to musical playing and singing as a way of making a living, often times also being as fortune tellers. It's safer to perform in front of "Palace House", especially for female dependents. The social "Sanxian" artists took a secret approach in rehearsing with doors closed, without any exposure to the outsiders. In AixinjueluoYuhuan's father's words, Yuhan'sSanxian art was an exchange to the silver coins that could be as high as his body.