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Christ lag in Todesbanden Johannes Eccard (1553-1611) Recorded live, March 2017 Central Lutheran Church, Minneapolis The youthful Johannes Eccard sang and studied with the masterful Orlando di Lasso in Munich, then spent his later career at aristocratic court chapels in Königsberg and Berlin, where he died. This work is taken from his Geistliche Lieder of 1597 that set the path toward later hymn settings. It has been said of this music that “Bach’s chorales are unthinkable without it.” “Christ lag in Todenbanden” was one of Luther’s most enduring hymns and was actually based on medieval hymns dating back to the 11th century. In this work we hear the melody clearly stated in the upper voice. The hymn tune employs a “bar form,” implying a repeat of the first phrases. Eccard actually doubles all this again to extend the first part of the music. Throughout this hymn setting Eccard accompanies the melody with free, independent movement of the lower voices even into the final joyful “Alleluia’s.” ~~~ Under the direction of nationally known conductor, composer and organist Dr. David Cherwien, the 64-member National Lutheran Choir’s artistry is rooted in its mission to strengthen, renew and preserve the heritage of sacred choral music through the highest standards of performance and literature. Learn more about the National Lutheran Choir: http://www.nlca.com/ Find our Music on iTunes: http://bit.ly/NLCiTunes Like us on Facebook: / nlchoir Follow us on Twitter: / nlchoir Subscribe to our eNewsletter: http://www.nlca.com/join -our-club Text: Christ lag in Todesbanden, für unsre Sünd gegeben, der ist wieder erstanden und hat uns bracht des Leben. Des wir sollen frölich sein, Gott loben und dankbar sein und singen: Halleluja! Halleluja! Christ Jesus lay in death's strong bands for our offenses given; but now at God's right hand he stands and brings us life from heaven. Therefore let us joyful be and sing to God right thankfully loud songs of Hallelujah! Hallelujah!